Anne Wagner

Anne Wagner has just completed her next book.

How early​ was early photography? And how long did its earliness endure? The customary answer is just short of three decades, from about 1839 to 1865. The first date marks not the beginning of photographic experiments, but the year Louis Daguerre announced his ability to ‘seize the light’, a claim soon rephrased by William Henry Fox Talbot as the art of ‘fixing a...

At Tate Modern: Richard Tuttle

Anne Wagner, 6 November 2014

It’s easy​ to see why Richard Tuttle’s work has a tendency to rile people – in particular people who insist on believing that sculpture, even if it no longer needs to be solid and substantial, should at least cling to material existence. From early on Tuttle seemed set on refusing such notions; his work came across as impromptu and elusive, a mirage of fragments, shadows...

At the Whitechapel: Hannah Höch

Anne Wagner, 20 February 2014

‘What does a woman want?’ I still remember my first encounter with the question Freud put to Marie Bonaparte in 1925, just as I recall my inability to stomach its aggressive and mystifying tone. Years have passed since then, and with them many Hannah Höch exhibitions, yet it has taken the riveting new retrospective at the Whitechapel Gallery – her first ever exhibition...

At Tate Modern: Mira Schendel

Anne Wagner, 24 October 2013

Tate Modern’s retrospective of the Brazilian artist Mira Schendel – born Myrrha Dagmar Dub in 1919 in Zurich, brought up in Italy, uprooted by war to Yugoslavia, and from there to Brazil in 1949 – is moving, difficult, full of strange writing and immediate visual pleasure.* Schendel was an intellectual, feeding on Wittgenstein and Cardinal Newman (her two incompatible...

When Hal Foster uses the word ‘first’ in the title of his confidently focused study, he means to start us thinking about Pop now and then. It is a reference to Reyner Banham’s Theory and Design in the First Machine Age (1960), which argued that modernism’s prewar optimism was over and done. ‘We have already entered the Second Machine Age,’ Banham declared,...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences