Anita Brookner

Anita Brookner a reader in the history of art at the Courtauld Institute in London, is the author of a study of David and of two novels, A Start in Life and Providence.

Mme de Blazac and I

Anita Brookner, 19 June 1997

When I first went to Paris as a student I was directed, by an association set up to sort out the problems not so much of visiting students as of indigent widows with large apartments, to Mme de Blazac in the rue des Marronniers, in the 16th arrondissement. Initially, the rue des Marronniers struck me as a haven of suburban rectitude: I did not then know that it was expensive. Mme de Blazac, unlike the sort of Frenchwoman I had had in mind, was welcoming, though with an infinitude of reservations. Rather than formidable and omnicompetent, as I had imagined from the aristocratic name, Mme de Blazac was small and tremulous, and clearly more nervous than myself. She had shaken hands, had hovered in the corridor, while indicating a room covered with dustsheets. Layers of plastic were wrapped round the few books on a shelf by the bed. When I opened the wardrobe, which was empty, I was met by a nose-tingling blast of moth repellent.

Fearless Solipsist

Anita Brookner, 31 July 1997

It pays to take a romantic view of oneself; distinction is only tardily conceded by others. In the business of self-assessment – which was her business – Colette was never far from self-promotion. This endeavour sustained her through three marriages, numerous love affairs, and, more important in her own estimation, 49 volumes, some of them admittedly slight. She expressed admiration for George Sand, who could finish one novel and begin another in the same half-hour, yet she herself could shoulder the equally impressive task of projecting her image throughout a long and varied life, both on and off stage. Her undoubted beauty helped, yet it is not as a beautiful woman that Colette is remembered but as a fearless solipsist. The title of one of her later books, Le Voyage égoïste, describes her progress perfectly To her singular status the gift of sumptuous prose, refined from tentative beginnings, seemed a natural adjunct. Her readers came from every level of society, and from every sex: her emotional range was wide, but not necessarily indulgent. Henry de Montherlant, who described her as ‘le plus grand écrivain français naturel’ was wrong: Colette is a work of art, and one created entirely by her own means.’’

Wintry Lessons: Anita Brookner

Dinah Birch, 27 June 2002

Anita Brookner’s first novel appeared in 1981. Since then she has published it again, slightly altered, almost every year. It is a remarkable feat. Nor is it irrelevant to what she has to...

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Missing Mother: romanticism

Graham Robb, 19 October 2000

Trying to define Romanticism has always been a typically Romantic activity, especially in France. The word romantisme first appeared in the year of Napoleon’s coronation (1804) and soon...

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Living with a little halibut

John Bayley, 8 October 1992

The novel and story depend a good deal on mystery. Pip has great expectations – where do they come from? – but more important, who is Pip, and what is he after? Everyone can be made...

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Dreams of Avarice

Patrick Parrinder, 29 August 1991

‘The rich are different from us.’ ‘Yes – they have more money.’ Though it is Hemingway’s riposte that sticks in the memory, Scott Fitzgerald’s belief in...

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Dirty Jokes

Julian Symons, 13 September 1990

‘Julia died. I read it in the Times this morning... I never liked her, nor did she like me; strange, then, how we managed to keep up a sort of friendship for so long.’ The first...

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Looking for magic

Dinah Birch, 14 September 1989

It’s not long since the fairy story seemed the least political of genres. Not so today. A preoccupation with transformation and escape, coupled with a repudiation of the sober certainties...

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Ruined by men

Anthony Thwaite, 1 September 1988

Alison Lurie’s new novel is, among other things, an anthology of several characters from her earlier novels. Readers unfamiliar with these books need not be apprehensive, however: The Truth...

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Rachel and Heather

Stephen Wall, 1 October 1987

Anita Brookner’s novels have been preoccupied with women who feel themselves to be profoundly separate. This may be the result of either choice or necessity, or of stoically making a choice...

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Ladies

John Bayley, 4 September 1986

‘Old people were rather in fashion at the time. Every week one or the other of the quality Sunday papers included a feature on the elderly, and if it could be shown that they were being...

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Losers

Frank Kermode, 5 September 1985

So far as the evidence of five novels goes, Anita Brookner has one basic theme, which she varies with considerable and increasing technical resource. All five books are quite short, and all have...

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The Great Exhibition

John Sutherland, 6 September 1984

A prefatory note testifies that Empire of the Sun draws on its author’s observations as a young boy swept up by the Japanese capture of Shanghai, and his subsequent internment in Lunghua...

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Dear Sphinx

Penelope Fitzgerald, 1 December 1983

Ada Leverson (1862-1933) said she had learned about human nature in the nursery. A little brother got her to help him make a carriage out of two chairs, but when he was taken out in a real...

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Travelling

Elaine Jordan, 21 April 1983

The 19th-century novel was the great forum for writing about life – from sanitation to the condition of women, from politics to love. All the novels reviewed here are very much of the 20th...

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Submission

Robert Taubman, 20 May 1982

The voices in A Chain of Voices are those of 30 characters, Boer farmers and their hired labourers and slaves, in the Cape in the early 19th century. The voices are ‘all different yet all...

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Fatalism

Graham Hough, 16 July 1981

The four novels before us are all highly original, but they tend to confirm an old popular belief – that there are two sexes and that there are some differences between them. All end sadly,...

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Art and Revolution

Norman Hampson, 18 December 1980

In what her publishers claim to be the first monograph in English on David, Dr Brookner explains that she sees her book as a ‘preparation’ for more specialised studies at present...

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