Andrew Saint

Andrew Saint is the general editor of the Survey of London; his most recent book is Architect and Engineer.

Do the authors of this volume of the Cambridge Urban History know how gloomy a book they have written? Pessimism suffuses these pages from start almost to finish. ‘Why have so many of Britain’s great cities fared so badly in the 20th century?’ Peter Clark, the general editor of the series, asks in his preface. Turn the page, and Martin Daunton’s introduction descends...

First, sort out your Scotts. George Gilbert Scott (1811-78), hereafter Sir Gilbert, designed the Albert Memorial, the Foreign Office and the tumultuous cliff of a hotel that shields St Pancras Station. A spiteful ditty, summing up the Victorian business of church restoration, also accounted him first among ‘the earnest band that spoiled half the churches in the land’. Giles...

In Le Havre: The rebuilding of France

Andrew Saint, 6 February 2003

Though Le Havre lies close to the Normandy beaches, it hardly features in histories of D-Day and its aftermath. Blocked at Caen, the Allied armies broke through to the south, wheeled left and raced for Paris. By the end of August 1944 the capital had been secured and the Seine crossed at last. With hindsight it seems that Le Havre had lost any strategic significance it might have had, but it...

Just two of the fabled world exhibitions of the 19th century are still remembered. They are the two with the best claim to have reshaped the culture of their times. London 1851 was a paean to industry and progress sheltered within a structure to match; its theme has been invoked in world’s fairs ever since. The other contender is Chicago 1893. After more than a century, the gleaming...

How Blake would blench at the ends to which the English left has turned his poem. The vagueness of his vision of Jerusalem helps to make it the handiest of slogans. Officially appropriated as the New Labour anthem to replace the robust ‘Red Flag, here we have it dusted down again by Tristram Hunt to front a passionate, kaleidoscopic but wilful defence of the Victorian city.

It is usual for urban centres to contain extreme contrasts and not unusual for them to be scenes of conflict. What is striking about the West End is the peculiar compound of establishment and anti-establishment,...

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It is difficult to work out who gets the credit for a building – so many people are involved, from owners, contractors and governments to bricklayers and roofers – but it is...

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