Amit Chaudhuri

Amit Chaudhuri is a professor of creative writing at Ashoka University. He has written seven novels, most recently Friend of My Youth, and is a singer and composer.

Story: ‘The Old Masters’

Amit Chaudhuri, 18 October 2001

He glanced at his watch and made an attempt to finish the tea in his cup; he was waiting for a call, and it was his second cup of tea. Five minutes later, the phone began to ring.

‘Pramathesh?’ said the voice at the other end; and he could tell, from its slight note of insouciance and boredom, that it was Ranjit.

‘I was waiting for your call, old man,’ he said, trying...

In the obituaries of R.K. Narayan (1906-2001), written by the ‘talkative men’ of modern India who once knew the writer slightly or quite well, there were one or two remarks about his habit of walking around without any apparent purpose. Here, for instance, is the novelist and journalist Khushwant Singh on a visit to Mysore forty years ago: ‘Being with Narayan on his...

Story: ‘An Infatuation’

Amit Chaudhuri, 24 May 2001

an episode from the ‘Ramayana’ retold by Amit Chaudhuri

She’d been watching the two men for a while, and the pale, rather docile wife with vermilion in her hair, who sometimes went inside the small house and came out again. She’d been watching from behind a bush, so they hadn’t seen her; they had the air of being not quite travellers, nor people who’d been...

Story: ‘The Great Game’: a short story

Amit Chaudhuri, 24 August 2000

It was inhuman to play cricket at this time of the year, in this heat, but that was precisely what they were doing these days. Moreover, the team was being sent out into that cauldron to pick up something called the Pepsi Cup. You had to feel for them, though they looked like young braves. While others might shop at the airport in Dubai, one would expect them not to glance at the watches and shapely state-of-the-art CD-players, to have nothing but a glass of orange juice at the hotel before going into the nets.

In 1857, eight years before Kipling was born, Indian soldiers in the north of the country rebelled against the representatives of the East India Company. The uprising was known as the Sepoy Mutiny and, later, somewhat romantically, as the First War of Independence. Although its impact on the Indian and Anglo-Indian middle classes was probably not as immediate and direct as it has been made out to be in subsequent colonial and nationalist narratives, it brought to an end a period of cultural exchange between different races. The late 18th and the first half of the 19th century had seen the commercial and colonial expansion of the East India Company in Bengal and other parts of India, thanks to a series of military victories and not a few dishonourable transactions, but it was also a time of commingling, especially in Calcutta, between the new, post-feudal Indian middle class and members of the British scholarly and administrative classes. William Jones, whose researches at the Fort William College in Calcutta were largely responsible for inaugurating Orientalist scholarship and the reconstruction of Indian history, wore native clothes made of muslin in the heat – the solar hat and khaki uniform that Beerbohm has Kipling wear in one of his caricatures were not yet de rigueur. There are early portraits depicting Englishmen with their Indian wives, dressed in a mish-mash of Persian and Hindu styles. In the first half of the 19th century, the Fort William College, later the Hindu College, saw teacher and student, Englishman, Indian and Eurasian, engage in a colloquy at a crucial moment of modern history – people like the educationalist David Hare, the Anglo-Portuguese poet and teacher Henry Derozio, the great Bengali poet Michael Madhusudan Dutt. If Kipling had been born fifty years earlier, it would have been impossible for him to write the cheerfully assonantal but bleak lines: ‘O East is East, and West is West/And never the twain shall meet!’ It would have been equally difficult for the narrator of the story ‘Beyond the Pale’ to make his seemingly unequivocal statement: ‘A man should, whatever happens, keep to his own caste, race and breed.’’‘

Chairs look at me: ‘Sojourn’

Alex Harvey, 30 November 2023

Amit Chaudhuri’s Sojourn is interested in our relationship to the history we are living through, conscious that no one is fully aware of living in an historical epoch, perhaps as fictional figures can’t...

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The meanings​ that the word abroad has accumulated since it was first used to mean ‘widely scattered’ include: ‘out of one’s house’ (Middle English), ‘out of...

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At Ramayan Shah’s Hotel: Calcutta

Deborah Baker, 23 May 2013

In January 1990 I moved from New York to Calcutta to get married. Having never been to India, I came equipped with V.S. Naipaul’s India: A Wounded Civilisation and Geoffrey...

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There’s nothing like a book about music to remind the reader of the silence. Nothing else insists so emphatically on what we are usually happy to forget: that, during the hours we read, our...

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Anti-Humanism: Lawrence Sanitised

Terry Eagleton, 5 February 2004

One of the most tenacious of all academic myths is that literary theorists don’t go in for close reading. Whereas non-theoretical critics are faithful to the words on the page, theorists...

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Handfuls of Dust: Amit Chaudhuri

Richard Cronin, 12 November 1998

The first of the great Indian novelists to write in English, R.K. Narayan, wrote modest novels about modest people living in the small South Indian town of Malgudi. The completeness of the world...

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Doing justice to the mess

Jonathan Coe, 19 August 1993

The triumphs of this novel are at once tiny and enormous. Tiny because, like its predecessor A Strange and Sublime Address, it tells only of a placid and uneventful life, a life of domesticity,...

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City of Dust

Julian Symons, 25 July 1991

What Carlyle called the Condition of England Question – in our day, the country created by Thatcher and her sub-lieutenants – is surely the ripest subject on offer to novelists. The...

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