Alex Abramovich

Alex Abramovich is writing a book about the history of American music.

From The Blog
3 June 2013

The peelable banana that Andy Warhol designed for The Velvet Underground & Nico was a dry-run, of sorts, for the unzippable jeans he designed for the Rolling Stones' Sticky Fingers – an early attempt, on the artist's part, to answer the question: 'Hey, is that a giant cock on your rock and roll album cover?'

From The Blog
27 October 2013

Lou Reed wrote an essay for Aspen no.3 – the Pop-Art issue that Andy Warhol edited, in 1966 – some months before the appearance of The Velvet Underground's first album. Reed's sentences are of their time. The aesthetic, already in place, is light years ahead.

Repetition is so fantastic, anti-glop... Listening to a dial tone in B♭, until American Tel & Tel messed and turned it into a mediocre whistle, was fine. Short waves minus an antenna give off various noises, band wave pops and drones, hums that can be tuned at will and which are very beautiful. Eastern music is allowed to have repetition. That's OK for glops with strawhats and dulcimers between their blue legs... they don't listen to it, or see it, but they sanction it. Andy Warhol's movies are so repetitious sometimes, so so beautiful. Probably the only interesting films made in the US are Rock-and-Roll films. Reducing things to their final joke. Which is so pretty.

From The Blog
16 December 2014

I stayed up late the other night, following the café siege in Sydney on the Guardian website: 'What we know so far...' the live updates page said. Below that, like the punch line to no kind of joke, was a bullet point: 'Uber were criticised for charging minimum $100 for people trying to leave CBD during the siege. They have since offered free rides.'

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