Going Native: Theroux’s Portrait of Naipaul
A.N. Wilson, 13 May 1999
I have been trying to explain to myself how such a book as this held my uninterrupted attention from first to last. I read it almost at a sitting. This was certainly not because of any previous obsession with either V.S. Naipaul or Paul Theroux. True, I regard Naipaul as one of the most enthralling writers of our time, even though the subjects he has covered – India, Africa, the putrefaction of the post-colonial world – are not ones which engage my interest or my imagination. It is him writing about them, rather than these places themselves, which fascinates me. For this reason, I regard as almost his most triumphant book the one which his true disciple, Paul Theroux, thinks marks the great falling-off: The Enigma of Arrival. This is a book about Naipaul having stopped writing. He is living in Wiltshire within a stone’s throw of a large house in which a scarcely-disguised Stephen Tennant is, like England, gathering dust and going to seed. Nothing happens in the book, yet the writing is hypnotic.’