One night, I went on a boat trip down the Bosporus with about a dozen models, fashionistas, several transvestites, someone who appeared to be wearing a beekeeper’s outfit as a form of daily wear, the editor of Dazed and Confused Jefferson Hack, and Franca Sozzani, the editor of Italian Vogue. We were in the European capital of culture, but it was like a fabulous night at the London club Kinky Gerlinky transferred to Istanbul and financed by the Turkish Ministry of Culture. At one end of the boat, in his wheelchair, was Gore Vidal. At the other end was V.S. Naipaul. It must have been June 2010 because I remember catching Frank Lampard’s ‘ghost goal’ against Germany on a TV in the hotel lobby just before we dashed out.
V.S. Naipaul never saw himself as just another face in the mural of 20th-century literature. The mural was, in any case, not his favourite art form. He loved and possessed a very fine collection of Persian and Indian miniatures. But this wasn’t a frame in which he saw himself either. Long before the knighthood and the Nobel Prize, it was the mirror that excited him. Destiny stared him in the face every morning. He believed in himself. The Trinidadian was to become a very fine writer of English prose.