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“... State making an almost identical remark. It is with this episode that the young American scholar Scott Lucas, in the introduction to Divided we stand, opens his meticulously researched and pleasantly written examination of the 1956 crisis seen as a landmark in Anglo-American relations. What started as a PhD thesis has been happily transmogrified into a ...”

“... have led one to suspect: some of this is true, some of it questionable and the rest of it false. (Scott Lucas, by contrast, thinks almost all of it true.) Orwell was indeed unsociable, anti-feminist and homophobic, but only ambiguously anti-semitic, and by no means such a dewy-eyed idealiser of the plebs as some have imagined. Both Bowker and Taylor ...”

“... Ridley Scott is always a director to watch. This proposition includes watching for things to avoid, especially when he goes for history and costume, as in 1492 and The Kingdom of Heaven. But there were also The Duellists and Thelma and Louise; and Blade Runner, it seems, is always showing up in a new version. A ‘final cut’, following on the studio cut and the director’s cut, is just out ...”

“... even before we get to know them, by their names. In The Green Knight we have to contend with Lucas and Clement Graffe, Harvey Blacket, Bellamy James and his dog Anax, the Anderson women – Louise and her daughters Alethea (Aleph), Sophia (Sefton) and Moira (Moy) – Emil and Clive and the Adwardens. A reader alert to social differences will find such ...”

“... Most loyal and protective of Gurney’s many friends, Marion Scott wrote after one of her regular visits to the asylum: ‘Ivor is so heart-breakingly sane in his insanity.’ Letters, reported conversation, music, poems all attest to the fact. He was trained and already admired as a composer before enlistment; in the trenches poetry had occupied him more and more and, when he returned afterwards to music, the poetry continued ...”

“... traveller’s trophy room is not entirely absent: among people specifically celebrated are F.W. Lucas (1842-1932), a local collector of objects made from human and animal remains, and Melton Prior (1845-1910), who brought home trophies and weapons from the places he visited as war correspondent for the Illustrated London News. But many of the masks, totems ...”

“... have stayed with one period for a longer space, adding long footnotes, in the manner of Walter Scott. Paul Watkins’s book is more like a historical novel, more of a storyteller’s work. In the Blue Light of African Dreams is an offputting title: it sounds like a Modern Jazz suite or a Proms first (and last) performance. However, Watkins has ...”

“... and Sensibility by Edith Charlotte Brown, 1929) to Consequence, or Whatever Became of Charlotte Lucas (Elizabeth Newark, 1997) and Desire & Duty: A Sequel to Jane Austen’s ‘Pride and Prejudice’ (Ted Bader and Marilyn Bader, 1997) have appeared in print. The further adventures of Isabella Thorpe, Mrs Rushworth and even the family of Mr Collins; the ...”

“... for example, is a key word in Plath’s vocabulary, with a peculiarly American resonance. Like Scott Fitzgerald’s belle in This Side of Paradise who only wanted her legs to get slick and brown in the summer, Plath often posed as a ‘slick chick’ of the Fifties. She wrote often about her ambition to ‘break into the slicks’, and to conquer ‘the ...”

“... still worth having a go at Luther life-writing, and these three biographers all know their Luther. Scott Hendrix is a veteran insider historian from the American Protestant tradition, with the worthy aim of tackling some of the complacent myths all families build up about their founding fathers. His detail can be shaky when he refers to noises off, like the ...”

“... in the field of fibre-optics, in which area Leigh had been involved when a minister. Nicholas Scott has consoled himself since his departure from office with a consultancy with Clark and Smith Industries, whose products include many aimed at the disabled, for whom Scott was the responsible minister when in office. John ...”

“... film which is up on the screen turns out to be Budd Boetticher’s Westbound, one of the Randolph Scott cycle, although the voice that we hear on the soundtrack is mysteriously speaking some lines of poetry by Guillaume Apollinaire. In a way, this aberrant moment summed up Godard’s appeal for me – the perverse mixture of Modernism with B-movies, as if an ...”

“... Scotty,’ though only the Yale Book records that the misquotation (he preferred ‘Beam us up, Mr Scott’) first appeared in the Aeronautical Journal in 1975.Sadly, neither volume finds room for Kirk’s other catchphrase, ‘Set phasers to stun,’ presumably because such a kindly articulation of American intergalactic colonialism doesn’t suit the spirit ...”