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Ahead of the Game

Daniel Finn: The Official IRA, 7 October 2010

The Lost Revolution: The Story of the Official IRA and the Workers’ Party 
by Brian Hanley and Scott Millar.
Penguin, 658 pp., £9.99, April 2010, 978 0 14 102845 3
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... out to tell the little-known story of Official republicanism for the first time. Brian Hanley and Scott Millar start with the appointment of Cathal Goulding as IRA chief of staff in 1962. A childhood friend of Brendan Behan, Goulding was about to turn 40 and had spent much of his adult life in Irish and British jails. He was to pick up the pieces after ...

Sabotage

Gavin Millar, 13 September 1990

Citizen Welles: A Biography of Orson Welles 
by Frank Brady.
Hodder, 655 pp., £18.95, January 1990, 0 340 51389 6
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If this was happiness: A Biography of Rita Hayworth 
by Barbara Leaming.
Weidenfeld, 312 pp., £14.95, September 1989, 0 297 79630 5
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Norma Shearer 
by Gavin Lambert.
Hodder, 381 pp., £17.95, August 1990, 0 340 52947 4
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Ava’s Men: The Private Life of Ava Gardner 
by Jane Ellen Wayne.
Robson, 268 pp., £14.95, November 1989, 0 86051 636 9
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Goldwyn: A Biography 
by Scott Berg.
Hamish Hamilton, 579 pp., £16.95, September 1989, 0 241 12832 3
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The Genius of the System: Hollywood Film-Making in the Studio Era 
by Thomas Schatz.
Simon and Schuster, 514 pp., £16.95, September 1989, 0 671 69708 0
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... straining after girlishness at the age of 34. But then her whole life, and career, were a strain. Scott Fitzgerald said on Thalberg’s death, ‘The Golden Bowl is broken,’ and the same might be said for Shearer’s career. A more accurate portrait of the Thalberg-Shearer ménage than the rabbi’s can be found in Fitzgerald’ short story ‘Crazy ...

Whig History

Sheldon Rothblatt, 21 January 1982

A Liberal Descent: Victorian Historians and the English Past 
by J.W. Burrow.
Cambridge, 308 pp., £19.50, October 1981, 0 521 24079 4
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... Liberal Descent are Macaulay, Freeman, Stubbs and Froude. The deuteragonists are Hallam, John Millar, Green and George Brodie. Carlyle appears, as do Hume and Gibbon. The stage is full. The theatre is Shakespearean in its range and variety rather than confined and unified as in Classical drama. The action cannot be completely co-ordinated, for the Whigs ...

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