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The Great Business

Nicholas Penny

21 March 1985
Art of the 19th Century: Painting and Sculpture 
by Robert Rosenblum and H.W. Janson.
Thames and Hudson, 527 pp., £25, March 1984, 0 500 23385 3
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Romanticism and Realism: The Mythology of 19th-Century Art 
by Charles Rosen and Henri Zerner.
Faber, 244 pp., £15, October 1984, 0 571 13332 0
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Géricault: His Life and Work 
by Lorenz Eitner.
Orbis, 376 pp., £40, March 1983, 0 85613 384 1
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Tradition and Desire: From David to Delacroix 
by Norman Bryson.
Cambridge, 277 pp., £27.50, August 1984, 0 521 24193 6
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... were perpetuated by the more traditional Delacroix, most of whose paintings would not have surprised, although they would have delighted, Veronese, Rubens or Reynolds. Delaroche’s picture presents RobertRosenblum with ‘the immediate illusion of a theatrical tableau enacted by costumed players in a crystal-clear space’. It was painted for – one might say took place at – the Salon of 1834. By ...

Baby Power

Marina Warner

6 July 1989
The Romantic Child: From Runge to Sendak 
by Robert Rosenblum.
Thames and Hudson, 64 pp., £5.95, February 1989, 0 500 55020 4
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Caldecott & Co: Notes on Books and Pictures 
by Maurice Sendak.
Reinhardt, 216 pp., £13.95, March 1989, 1 871061 06 7
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Dear Mili 
by Wilhelm Grimm, translated by Ralph Manheim and Maurice Sendak.
Viking Kestrel, £9.95, November 1988, 0 670 80168 2
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Grimms’ Bad Girls and Bold Boys: The Moral and Social Vision of the ‘Tales’ 
by Ruth Bottigheimer.
Yale, 211 pp., £8.95, April 1989, 0 300 04389 9
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The one who set out to study fear 
by Peter Redgrove.
Bloomsbury, 183 pp., £13.95, April 1989, 0 7475 0187 4
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... are present only by implication, as votaries before the icon they are creating. The child is isolated in glory, a being in human form but quasi-divine, not quite contiguous with the adult world. As RobertRosenblum observes in his stimulating and characteristically original essay, The Romantic Child, Hodler’s celebration – like Gotch’s – lacks some of the raw and peculiar passion of the early ...

In Denbigh Road

Peter Campbell: David Sylvester

7 February 2002
... David Sylvester, who contributed regularly to this paper, died last June. People who worked with him usually agree that he was the most engaged and patient looker at art they ever knew. RobertRosenblum rightly says, in David Sylvester: The Private Collection, that there was something comical about his high seriousness, but it is also true that, ‘unlike the rest of us ironists’, he could make ...

Late Picasso

Nicholas Penny

20 November 1986
Je suis le Cahier: The Sketchbooks of Picasso 
edited by Arnold Glimcher and Marc Glimcher.
Thames and Hudson, 349 pp., £36, September 1986, 0 500 23461 2
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The Musèe Picasso, Paris: Catalogue of the Collections. Paintings, Papiers Collés, Picture Reliefs, Sculptures, Ceramics 
by Marie-Laure Besnard-Bernadac, Michéle Richet and Hélène Seckel.
Thames and Hudson, 315 pp., £25, October 1986, 0 500 23461 2
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Degas: The Complete Etchings, Lithographs and Monotypes 
by Jean Adhémar and Françoise Cachin.
Thames and Hudson, 290 pp., £25, October 1986, 0 500 09114 5
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... one (No 42) for the Demoiselles, the catalogue turns out to be more helpful. Both sketchbooks are reproduced in their entirety and prefaced by informative and intelligent essays by eminent scholars (RobertRosenblum in one case, Theodore Reff in the other). Nowhere else in the exhibition do we encounter the concentration of these sheets from the 1916 sketchbook, except perhaps in the near-abstract ...

Female Heads

John Bayley

27 October 1988
Woman to Woman: Female Friendship in Victorian Fiction 
by Tess Cosslett.
Harvester, 211 pp., £29.95, July 1988, 0 7108 1015 6
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Sentiment and Sociability: The Language of Feeling in the Eighteenth Century 
by John Mullan.
Oxford, 261 pp., £25, June 1988, 0 19 812865 7
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The Early Journals and Letters of Fanny Burney. Vol. I: 1768-1773 
edited by Lars Troide.
Oxford, 353 pp., £45, June 1988, 9780198125815
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... consciousness has become an absorbing masculine activity, a sex-in-the-head game. It is in the male head that Clarissa scribbles and Molly Bloom muses. For many male novelists, like the Austrian Robert Musil, erotic self-metamorphosis becomes mystical, a kind of religious substitute. The sphinx has her mystery, but in the final and most subtle analysis it is that of having no secret at all. One of ...

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