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“... comparison with Beckett would be neither irrelevant nor absurd. The French novelist and playwright Robert Pinget was put forward in the 1960s as an exponent of the ‘nouveau roman’. But his affiliation with Beckett was always stronger than the temporary association with Robbe-Grillet’s travelling circus, and Beckett paid him the compliment of making ...”

“... Claude Simon, Nathalie Sarraute, Michel Butor and the hugely entertaining and wrongly overlooked Robert Pinget. Beckett in particular, and later the very bankable Robbe-Grillet and Simon, seem never to have thought of being published by anyone else, even if it did mean their having to argue the toss over punctuation. There could be no more pleasant way ...”

“... her most interesting appearances are in the generous quotations from an unpublished journal by Robert Pinget, one of the few Beckett disciples to whom she took a liking. On 6 August 1960, he pays a visit to hand back to Sam the ms. [of Comment c’est] he’d given me three days before to read. I was dreading having to give my opinion. The text is so ...”

“... only other living French novelist I would compare with her as a source of intelligent pleasure, Robert Pinget.) She went about literature slowly once she had taken to it. Tropisms, her first book, was not published until 1939, seven years after she began writing it. It is a sparse but mordant collection of short scenes of social exchange whose ...”

“... began shepherding to publication the novels of Michel Butor, Nathalie Sarraute, Claude Simon, Robert Pinget and Marguerite Duras, who were soon known as the ‘école de Minuit’. These writers drew on different models, but with their detached sensibility and rejection of 19th-century dramatic conventions, they had enough in common for Emile Henriot ...”