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“... Garry Winogrand, what could be done with ease and subtlety at home was harder to achieve abroad. Robert Frank worked in Britain between 1951 and 1953. Born in Switzerland but based in New York, he was still half-hoping his pictures would appeal to a magazine like Life but at the same time he was trying, as he wrote, to ‘break from the Traditional ...”

“... as Steichen’s was also part of its undoing. Stange puts the work of the Swiss photographer Robert Frank at the end, and outside the narrative, of her story. He started on the travels which resulted in his bleak, grainy picture essay in book form, The Americans, in the late Fifties, at about the time ‘The Family of Man’ was touring the ...”

“... home might see them. Foreign artists, photographers and film-makers in particular – Wim Wenders, Robert Frank – have a special liking for this aspect of the look of America. Hopper did it better. The images get stronger as he gets older. The pictures he made during early trips to Paris in the 1920s have a nice feeling for asymmetrical ...”

“... HUAC: Is your brother a member of the Communist Party? Robert Oppenheimer: He is not a member of the Communist Party, to the best of my knowledge. HUAC: Are you speaking as of the present time? Robert Oppenheimer: I am, sir. HUAC: Was he a member of the Communist Party in the past? Robert Oppenheimer: Mr Chairman, I will answer the questions you put to me ...”

“... the Road’ (original typescript, 1951) Jack Kerouac, ‘The Slouch Hat’ (c.1960) John Cohen, ‘Robert Frank, Alfred Leslie, Gregory Corso’ (1959) Wallace Berman, Untitled (Allen Ginsberg, c.1960)PreviousNext These names belong to the original small group of friends who met in New York in the early 1940s. Within ten years Ginsberg had moved to San ...”

“... Michals’s collage portrait of the Sterling Black and Whiters – Ansel Adams, Sally Mann, Robert Frank, Salgado and so on – shows us which reputations were overshadowed by the new high-art photography. At the Tate there are photographs from both camps. One odd effect of the high art/common craft division is that while magazines and newspapers ...”

“... pools of unexpected calm. But he wasn’t simply a New York photographer-novelist. Convinced that Robert Frank had missed out on the real story of America in the 1950s – the story of the suburbs – he made his way across the country, and his travels put him in an entirely different relation to photographic and physical space. He left New York for ...”

“... era ruled. In this desert of greed, vanity and corruption one could always rely on the tonic of Robert Hughes pieces in Time and the New York Review of Books, now collected. He lays about him splendidly, not sparing any link in the chain that tethers artists to their time, from the studio to the dealers and their pimps, and to the final rings in the ...”

“... under the Race Relations Act with inciting racial hatred. Leamington Spa at that time was home to Robert Relf, a leader of something called the ‘British Movement’, who had made a name for himself earlier in the 1970s by advertising his house for sale ‘to a white family only’. I don’t remember exactly what Relf’s involvement was in the case that I ...”

“... art and photography worlds was there, including Emile de Antonio, Henry Geldzahler, Andy Warhol, Robert Frank, Walker Evans, Tom Hess, Lisette Model, Richard Avedon, Marvin Israel, and the pop art collectors Robert and Ethel Scull.’ Bosworth’s concentration on the sex-and-society aspect of her subject’s life ...”

“... shared the romance of being a part of it in old New York. For me, the city didn’t just mean Frank Sinatra and Studio 54, it meant Alfred Kazin and Lionel Trilling, Lillian Hellman and Susan Sontag. I loved its papers, the swagger of the contributors, the New York intellectuals, with their neuroses, their arguments, their marriages, and their ...”

“... space had once been a community art venture called King Ubu, operated by the Black Mountain poet Robert Duncan and his collagist partner Jess Collins. Duncan, removing his clothes at the conclusion of his verse play Faust Foutu, in order to demonstrate the meaning of nakedness, anticipated by a decade or so the Ginsberg party trick that shocked John Lennon ...”

“... the Railway Station’: ‘And the man in the handcuffs suddenly sang/With grimful glee …’ Frank Auerbach to William Feaver And the man in the handcuffs suddenly sang With grimful glee: ‘This life so free Is the thing for me!’ And the constable smiled, and said no word. Thomas Hardy, ‘At the Railway Station, Upway’ I remember​ the first ...”

“... I heard his voice calling, ‘The sea! The sea!’ Hollowly into a shell As if he could contact Robert Louis Verne Or all the impossible, massed, forlorn spirits Edinburgh exiled, waving from twenty thousand leagues Under force eights the Lusitania, Hood, Tirpitz, Mary Rose lie barnacled, Cell-like binnacles of another life Lost to the world above but ...”

“... other composers in the American maverick tradition, from Charles Ives, Cage and Morton Feldman to Robert Johnson, Jimi Hendrix and Sun Ra.The revolution that began at the Five Spot was part of the wider black freedom struggle, as well as an extension of an American philosophy of self-reliance and artistic emancipation that runs from Emerson to Whitman to ...”