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“... For a spell during the 1960s, Robert Creeley’s ‘I Know a Man’ may have been the most often quoted, even the most widely known, short poem by a living American. Here is the poem: As I sd to my friend, because I am always talking, – John, I sd, which was not his name, the darkness sur- rounds us, what can we do against it, or else, shall we & why not, buy a goddamn big car, drive, he sd, for christ’s sake, look out where yr going ...”

“... Logorrhoea:​ Charles Olson, Robert Duncan and Robert Creeley were all afflicted with it. I only ever witnessed Duncan’s performances – free-form, extended, mostly improvised soliloquies. The one I remember best was at the poet Carl Rakosi’s house. It was many years ago, but I think he touched on Plato, Beethoven, Milton, Tom Thumb, Lysistrata, the genus Asterias (starfish) and the song ‘Penny Lane ...”

“... and Reznikoff, and of course the whole group of poets associated with Black Mountain College – Robert Creeley, Denise Levertov, Ed Dorn, Robert Duncan and Charles Olson. Of all these it was Charles Olson who engaged most directly and continuously with the implications of Pound’s poetics. The Maximus Poems can he ...”

“... called her ‘one of the few people I ever completely loved at first sight’, talked her up to Robert Creeley; Creeley, who spent so much time with Levertov when they were both in Provence that his wife was sure they were having an affair, introduced her to William Carlos Williams; Williams told her that her second ...”

“... tenderness and outrageous inventions. Hagiographical prefaces to his books by Allen Ginsberg and Robert Creeley align him with Hart Crane and Keats as a poet vulnerable to the world and prone to self-destruction. Wieners himself remembered taking the ferry to Provincetown with Frank O’Hara: ‘We stood again below deck by the hectic Atlantic cutting ...”

“... teaching poetry workshops at St Mark’s Church, collaborating with Alice Notley, Ted Berrigan, Robert Creeley and others. John Ashbery and Frank O’Hara were their guiding lights. A new American poetics was taking shape: daily and referential, tough and casual. Between 1967 and 1969 Mayer edited, with Vito Acconci, the experimental mimeographed ...”

“... the Road’ (original typescript, 1951) Jack Kerouac, ‘The Slouch Hat’ (c.1960) John Cohen, ‘Robert Frank, Alfred Leslie, Gregory Corso’ (1959) Wallace Berman, Untitled (Allen Ginsberg, c.1960)PreviousNext These names belong to the original small group of friends who met in New York in the early 1940s. Within ten years Ginsberg had moved to San ...”

“... Fiction’ (all European) and ‘Modern American Fiction’ (a list that includes Burroughs, Creeley, Henry Miller and Hubert Selby Jr), but that seems to be the only time Quin’s novels were formally categorised as experimental. Paddy Kitchen was right when she wrote (in a piece in the London Magazine in 1979) that Quin ‘was not one of those authors ...”

“... care and the cunning of the style’, as he has written of Yeats’s ‘In Memory of Major Robert Gregory’, ‘its very finish’, serves ‘to place all impulsive decisions many drafts anterior to the version we read’. There is a beautiful neutrality, most of the time, in his tone. He gives nothing away. He does not know, just as the reader must ...”

“... editor in the early 1960s. It must have seemed strange to read the poetry of Pound, Williams, Robert Duncan, Ian Hamilton Finlay, Robert Creeley and Louis Zukofsky in a right-wing political journal. ‘Don’t worry about the Birch boys,’ Kenner wrote to Davenport in 1961, trying to persuade him to contribute to ...”

“... to come out, albeit with diminishing frequency, until 1969. William Burroughs, Charles Olson, Robert Creeley, Ed Dorn and Barbara Guest all appeared in its pages. Producing the Floating Bear was an ‘endless rhythm of editing, typing, proofing, printing, collating, stapling, labelling and mailing’, but di Prima understood the importance of ...”

“... Scottish Renaissance into the Beatnik era, establishing important transatlantic connections with Robert Creeley, Jonathan Williams, Lorine Niedecker and others. The break-up of his first marriage in 1964 terminated this period of relative stability, initiating the chapter of uncertainty that coincided with his first letters to Stephen Bann. At no stage ...”

“... the country’s emerging counter-culture, including Allen Ginsberg, Jack Kerouac, LeRoi Jones and Robert Creeley. It also ran a selection of the early work of a maverick graduate student in English at the University of Tulsa, Ted Berrigan. Berrigan was soon accompanying Brainard and his fellow editors, the poets Ron Padgett and Dick Gallup, on their ...”

“... new book has just turned out to be entirely plagiarised from translations of American poets called Robert – Creeley, Mezey, Bly, Lowell, Penn Warren etc. The perpetrator had sent a copy of the book to one of the translators whose work he had stolen, eliciting the response: ‘Purely original’. Then the translator reads ...”

“... As was, and remains, his custom, he nosed about on his own. One early non-Modernist influence was Robert Graves, and the ‘brusque conversational tone’ in some of his poetry. In the mid-1950s, the poet Gael Turnbull, who was editing a special British number for Cid Corman’s magazine Origin, took an interest in Fisher’s work and invited him to his home ...”