At the Pompidou
Adam Shatz: ‘Paris Noir’, 26 June 2025
“... wasn’t the only black artist of his generation who felt liberated by Paris. Baldwin noted that Richard Wright considered it a ‘city of refuge’. Even Baldwin, who developed a much more jaundiced view of France, admitted that he could never bring himself to hate the French, because they had left him alone. As Paris Noir underscores, the city served ... ”