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“... an easy mark for Timothy Mitchell, but there are more striking examples. In his essay in ¡Tango! Richard Martin quotes the American writer Waldo Frank describing tango in 1917: The body of tango is an embryon. That is why il stirs so larvally, why it repeats the ethnic stages of the past – Spanish, Indian, Negro – from which Argentina must ...”

“... is problematical. This book packs some of the nastiest shocks since Richard Walker in The Savile Row Story (1988) disinterred a Lloyd’s Weekly News headline on a sweatshop exposure of 1892: ‘The Duke of York’s Trowsers Made in a Fever Room.’ Chenoune is a French fashion journalist whose book was supported by the ...”

“... and Alison Smithson, who displayed a series of found objects in a post-apocalyptic mirrored shed. Richard Hamilton’s group presented a funfair vision that launched the British Pop Art movement. Robby the Robot, star of the science-fiction movie Forbidden Planet, opened the show because, according to the critic Reyner Banham, he was much ‘easier to book ...”

“... as instruments for locking on; uncertainty makes arrests more likely. As the British legal scholar Richard Martin has pointed out, the police already had extensive powers for dealing with protesters, including on roads. The new measures, which Priti Patel claimed would prevent ‘eco-warriors trampling over our way of life and draining police ...”

“... Since I am about to comment on other people’s published reactions to Martin Amis’s novel Other People, it seems right to state in summary form my own feelings on the main matters that divided the reviewers. I thought it a remarkable work, highly readable and enjoyable, not incomprehensible or unduly difficult ...”

“... and that Scott was ‘a tame and feeble writer’. Unluckily, in the same article, an Irish MP – Richard Martin – was twitted as a ‘jackass’: he wrote instantly to William Blackwood, threatening legal action and demanding that the article’s author be unmasked. A distraught Wilson took to his bed and snivelled to Blackwood: ‘To own that article ...”

“... Clearly, for Martin Amis, enough is nothing like enough. To read him is to discover an author as voracious as his characters: like Terry in Success, who specifies that ‘I want all that and I want all that. And I want all that and I want all that. And I want all that and I want all that.’ Or like the fast-food, fast-sex junkie John Self of Money, who always gets less than he bargains for, yet keeps going back for more: ‘I would cheerfully go into the alchemy business, if it existed and made lots of money ...”

“... Marcel Aymé’s novel Le Passemuraille, about a man who can walk through walls, would have interested Thomas Caulfield Irwin (1823-92). Irwin is cited in Paul Muldoon’s To Ireland, I for a neighbourly dispute he was having with one John O’Donovan. ‘He says I am his enemy,’ Irwin wrote, ‘and watch him through the thickness of the wall which divides our houses ...”

“... Newman’s conversion to Rome five years earlier finally reached the nation as a whole. As Brian Martin reports, Punch brutally caricatured ‘a thin, emaciated, bespectacled Newman’ alongside ‘a fat, hypocritical Wiseman’ and rumours spread that Newman ‘was married and had locked his wife away in a convent’. Newman survived the assault, of ...”

“... country can do for you; ask what you can do for your country’ – but the exposed whoppers of Richard ‘I am not a crook’ Nixon, George ‘Read my lips: no new taxes’ Bush, and Bill ‘I did not have sexual relations with that woman’ Clinton. David Schippers, the majority counsel of the House Judiciary Committee, hammered home the point in the ...”

“... volume of a projected three-volume ‘definitive’ biography of Robert Graves by his nephew, Richard Perceval Graves. It takes over where the author’s father, Robert’s younger brother John Graves, left off. John, who died in 1980, had been described by Robert as a ‘typically good pupil of a typically good school’ (to which he returned as ...”

“... making ambitious claims for the importance of the work and explaining his choice of title. Next, Richard Shone, an associate editor of the Burlington Magazine, perhaps best known for his scholarly work on the Bloomsbury Group, gives a detailed chronicle of the careers of the artists, whom he describes as loosely ‘entwined’ in a single history. He sees ...”

“... is sui generis in the same way. It also seems to stand outside its author. Although Professor Martin does the best that can be done with him, FitzGerald was not, from the literary point of view, a particularly interesting man. He lacks the artistic quiddity of even such minor Victorian figures as Coventry Patmore or Francis Thompson. He is cousin to ...”

“... it should be providing ways of going beyond them. Against thinkers such as Martha Nussbaum and Richard Rorty, he refuses to celebrate the literary as a way to avoid or perpetually defer addressing hard epistemological questions as to how we can know a real world whose solidity cannot be dissolved even by the most imaginative exercise in self-fashioning. He ...”

“... Not since the Cuban missile crisis of 1962 have people in the West been so fearful of the possibility of nuclear war. Ironically enough, this is at a time when the chances of a massive nuclear exchange have diminished. But when housewives in East Anglia inquire about bomb shelters, or when Frenchmen tick ‘Surrender’ in an opinion poll about the best response to a strategic threat, they are displaying the same sense of ever-increasing vulnerability and loss of control that now seems to mark many Western leaders ...”