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“... trade with a confidence that could absorb parody and pastiche into the poetic flow of words,’ Phillip Spectre (we’ll get to him later) tells us. ‘The question that needed to be asked was, why had such a phenomenal freedom and mixture of styles not appeared in the visual arts?’ Hamilton made more than a hundred illustrations of Ulysses over his ...”

“... his prose like dayglo graffiti across every runaway trend, but here was a monochromatic spectre in their own midst practising her own form of pop voodoo. Happenings! The Supremes! Japanese science fiction movies! Where would it all end? Rumblings of dyspepsia were accompanied by belches of homophobia. The false eyelashes and sly subterfuges of camp ...”