Close

Terms and Conditions

These terms and conditions of use refer to the London Review of Books and the London Review Bookshop website (www.lrb.co.uk — hereafter ‘LRB Website’). These terms and conditions apply to all users of the LRB Website ("you"), including individual subscribers to the print edition of the LRB who wish to take advantage of our free 'subscriber only' access to archived material ("individual users") and users who are authorised to access the LRB Website by subscribing institutions ("institutional users").

Each time you use the LRB Website you signify your acceptance of these terms and conditions. If you do not agree, or are not comfortable with any part of this document, your only remedy is not to use the LRB Website.


  1. By registering for access to the LRB Website and/or entering the LRB Website by whatever route of access, you agree to be bound by the terms and conditions currently prevailing.
  2. The London Review of Books ("LRB") reserves the right to change these terms and conditions at any time and you should check for any alterations regularly. Continued usage of the LRB Website subsequent to a change in the terms and conditions constitutes acceptance of the current terms and conditions.
  3. The terms and conditions of any subscription agreements which educational and other institutions have entered into with the LRB apply in addition to these terms and conditions.
  4. You undertake to indemnify the LRB fully for all losses damages and costs incurred as a result of your breaching these terms and conditions.
  5. The information you supply on registration to the LRB Website shall be accurate and complete. You will notify the LRB promptly of any changes of relevant details by emailing the registrar. You will not assist a non-registered person to gain access to the LRB Website by supplying them with your password. In the event that the LRB considers that you have breached the requirements governing registration, that you are in breach of these terms and conditions or that your or your institution's subscription to the LRB lapses, your registration to the LRB Website will be terminated.
  6. Each individual subscriber to the LRB (whether a person or organisation) is entitled to the registration of one person to use the 'subscriber only' content on the web site. This user is an 'individual user'.
  7. The London Review of Books operates a ‘no questions asked’ cancellation policy in accordance with UK legislation. Please contact us to cancel your subscription and receive a full refund for the cost of all unposted issues.
  8. Use of the 'subscriber only' content on the LRB Website is strictly for the personal use of each individual user who may read the content on the screen, download, store or print single copies for their own personal private non-commercial use only, and is not to be made available to or used by any other person for any purpose.
  9. Each institution which subscribes to the LRB is entitled to grant access to persons to register on and use the 'subscriber only' content on the web site under the terms and conditions of its subscription agreement with the LRB. These users are 'institutional users'.
  10. Each institutional user of the LRB may access and search the LRB database and view its entire contents, and may also reproduce insubstantial extracts from individual articles or other works in the database to which their institution's subscription provides access, including in academic assignments and theses, online and/or in print. All quotations must be credited to the author and the LRB. Institutional users are not permitted to reproduce any entire article or other work, or to make any commercial use of any LRB material (including sale, licensing or publication) without the LRB's prior written permission. Institutions may notify institutional users of any additional or different conditions of use which they have agreed with the LRB.
  11. Users may use any one computer to access the LRB web site 'subscriber only' content at any time, so long as that connection does not allow any other computer, networked or otherwise connected, to access 'subscriber only' content.
  12. The LRB Website and its contents are protected by copyright and other intellectual property rights. You acknowledge that all intellectual property rights including copyright in the LRB Website and its contents belong to or have been licensed to the LRB or are otherwise used by the LRB as permitted by applicable law.
  13. All intellectual property rights in articles, reviews and essays originally published in the print edition of the LRB and subsequently included on the LRB Website belong to or have been licensed to the LRB. This material is made available to you for use as set out in paragraph 8 (if you are an individual user) or paragraph 10 (if you are an institutional user) only. Save for such permitted use, you may not download, store, disseminate, republish, post, reproduce, translate or adapt such material in whole or in part in any form without the prior written permission of the LRB. To obtain such permission and the terms and conditions applying, contact the Rights and Permissions department.
  14. All intellectual property rights in images on the LRB Website are owned by the LRB except where another copyright holder is specifically attributed or credited. Save for such material taken for permitted use set out above, you may not download, store, disseminate, republish, post, reproduce, translate or adapt LRB’s images in whole or in part in any form without the prior written permission of the LRB. To obtain such permission and the terms and conditions applying, contact the Rights and Permissions department. Where another copyright holder is specifically attributed or credited you may not download, store, disseminate, republish, reproduce or translate such images in whole or in part in any form without the prior written permission of the copyright holder. The LRB will not undertake to supply contact details of any attributed or credited copyright holder.
  15. The LRB Website is provided on an 'as is' basis and the LRB gives no warranty that the LRB Website will be accessible by any particular browser, operating system or device.
  16. The LRB makes no express or implied representation and gives no warranty of any kind in relation to any content available on the LRB Website including as to the accuracy or reliability of any information either in its articles, essays and reviews or in the letters printed in its letter page or material supplied by third parties. The LRB excludes to the fullest extent permitted by law all liability of any kind (including liability for any losses, damages or costs) arising from the publication of any materials on the LRB Website or incurred as a consequence of using or relying on such materials.
  17. The LRB excludes to the fullest extent permitted by law all liability of any kind (including liability for any losses, damages or costs) for any legal or other consequences (including infringement of third party rights) of any links made to the LRB Website.
  18. The LRB is not responsible for the content of any material you encounter after leaving the LRB Website site via a link in it or otherwise. The LRB gives no warranty as to the accuracy or reliability of any such material and to the fullest extent permitted by law excludes all liability that may arise in respect of or as a consequence of using or relying on such material.
  19. This site may be used only for lawful purposes and in a manner which does not infringe the rights of, or restrict the use and enjoyment of the site by, any third party. In the event of a chat room, message board, forum and/or news group being set up on the LRB Website, the LRB will not undertake to monitor any material supplied and will give no warranty as to its accuracy, reliability, originality or decency. By posting any material you agree that you are solely responsible for ensuring that it is accurate and not obscene, defamatory, plagiarised or in breach of copyright, confidentiality or any other right of any person, and you undertake to indemnify the LRB against all claims, losses, damages and costs incurred in consequence of your posting of such material. The LRB will reserve the right to remove any such material posted at any time and without notice or explanation. The LRB will reserve the right to disclose the provenance of such material, republish it in any form it deems fit or edit or censor it. The LRB will reserve the right to terminate the registration of any person it considers to abuse access to any chat room, message board, forum or news group provided by the LRB.
  20. Any e-mail services supplied via the LRB Website are subject to these terms and conditions.
  21. You will not knowingly transmit any virus, malware, trojan or other harmful matter to the LRB Website. The LRB gives no warranty that the LRB Website is free from contaminating matter, viruses or other malicious software and to the fullest extent permitted by law disclaims all liability of any kind including liability for any damages, losses or costs resulting from damage to your computer or other property arising from access to the LRB Website, use of it or downloading material from it.
  22. The LRB does not warrant that the use of the LRB Website will be uninterrupted, and disclaims all liability to the fullest extent permitted by law for any damages, losses or costs incurred as a result of access to the LRB Website being interrupted, modified or discontinued.
  23. The LRB Website contains advertisements and promotional links to websites and other resources operated by third parties. While we would never knowingly link to a site which we believed to be trading in bad faith, the LRB makes no express or implied representations or warranties of any kind in respect of any third party websites or resources or their contents, and we take no responsibility for the content, privacy practices, goods or services offered by these websites and resources. The LRB excludes to the fullest extent permitted by law all liability for any damages or losses arising from access to such websites and resources. Any transaction effected with such a third party contacted via the LRB Website are subject to the terms and conditions imposed by the third party involved and the LRB accepts no responsibility or liability resulting from such transactions.
  24. The LRB disclaims liability to the fullest extent permitted by law for any damages, losses or costs incurred for unauthorised access or alterations of transmissions or data by third parties as consequence of visit to the LRB Website.
  25. While 'subscriber only' content on the LRB Website is currently provided free to subscribers to the print edition of the LRB, the LRB reserves the right to impose a charge for access to some or all areas of the LRB Website without notice.
  26. These terms and conditions are governed by and will be interpreted in accordance with English law and any disputes relating to these terms and conditions will be subject to the non-exclusive jurisdiction of the courts of England and Wales.
  27. The various provisions of these terms and conditions are severable and if any provision is held to be invalid or unenforceable by any court of competent jurisdiction then such invalidity or unenforceability shall not affect the remaining provisions.
  28. If these terms and conditions are not accepted in full, use of the LRB Website must be terminated immediately.
Close

Search Results

Advanced Search

1 to 10 of 10 results

Sort by:

Filter by:

Contributors

Article Types

Authors

Subjects

7 July 1994
Listening to Prozac 
by Peter Kramer.
Fourth Estate, 409 pp., £16.99, April 1994, 1 85702 233 5
Show More
Show More
... hype in the United States, where it is known as ‘the happy drug’: physicians are besieged by patients requesting prescriptions for it, even though they are not in the least mentally ill. PeterKramer is a bit more cautious, but he does make one seemingly remarkable claim. He asserts that the drug gives people who are unhappy but not depressed (‘dysthymics’ in the esoteric language of ...

The Comic Strip

Ian Hamilton

3 September 1981
... ALL LEGS!’ And yes, the beating really is quite bad this time. The Comic Strip’s other double act, the Outer Limits, is more hooked into the media than is Coyote, and more conventionally slick. Peter Richardson and Nigel Planer have been together now for eight years – ‘We do everything together. We piss into each other’s mouths’ – but for most of that time they played music, with the ...

Still Superior

Mark Greif: Sex and Susan Sontag

12 February 2009
Reborn: Early Diaries, 1947-64 
by Susan Sontag, edited by David Rieff.
Hamish Hamilton, 318 pp., £16.99, January 2009, 978 0 241 14431 2
Show More
Show More
... a small quantity of Paris gossip makes it into the diaries. Beauvoir speaks at the Sorbonne; Sontag is unfavourably impressed with her high-pitched voice. Sontag visits Allen Ginsberg and his lover Peter Orlovsky in their hotel on rue Gît-le-Coeur; years later she will berate herself for namedropping the connection (‘how many times did I talk about Allen Ginsberg last year?’). Sontag goes to her ...

Half a Million Feathers

Peter​ Campbell

4 April 1996
Oceanic Art 
by Nicholas Thomas.
Thames and Hudson, 216 pp., £6.95, May 1995, 0 500 20281 8
Show More
Show More
... bai became more elaborate. From 1908 to 1910 about one hundred and fifty bai, which were subsequently lost to typhoons and war, were recorded by two German ethnologists, Augustin and Elisabeth Kramer. Palauans traditionally put their graphic talents to use in decorating the gable ends of bai, as the Kramers’ photographers reveal – in strip cartoon-like sequences of scenes of war, mythology ...

Tomorrow is here again

Anne Wagner: The First Pop Age

11 October 2012
The First Pop Age 
by Hal Foster.
Princeton, 338 pp., £20.95, October 2011, 978 0 691 15138 0
Show More
Show More
... as painting, with visual operations all its own. The result is an inquiry into Pop aesthetics, rather than the anaesthetics it was initially thought to bring about. ‘Pop Art,’ the critic Hilton Kramer complained in 1962, ‘does not tell us what it feels like to be living through the present moment of civilisation – it is merely part of the evidence of that civilisation.’ ‘What is Pop art ...

Diary

Peter​ Craven: On the Demidenko Affair

16 November 1995
... disengagement. One effect of the affair, clearly, has been to cast doubt on the whole system of literary awards (and of the Miles Franklin in particular). Jill Kitson and her fellow judge Dame Leonie Kramer did nothing more sinister than wildly overvalue a novice’s book, but they clung so fiercely to that mistaken judgment that they have given the impression of wanting to back a disturbed and ...

The crematorium is a zoo

Joshua Cohen: H.G. Adler

3 March 2016
The Wall 
by H.G. Adler, translated by Peter​ Filkins.
Modern Library, 672 pp., £12.99, September 2015, 978 0 8129 8315 9
Show More
Show More
... with Theresienstadt and regrets that ‘now it is too late for me to seek out Adler, who had lived in London until his death in the summer of 1988.’ In 2002, after Sebald’s death, the translator Peter Filkins came across a copy of the German original of The Journey, the middle novel of a trilogy by Adler, in Schoenhof’s Foreign Books in Cambridge, Massachusetts. Filkins found a very different ...
27 September 2018
How to Survive a Plague: The Story of How Activists and Scientists Tamed Aids 
by David France.
Picador, 624 pp., £12.99, September 2017, 978 1 5098 3940 7
Show More
Patient Zero and the Making of the Aids Epidemic 
by Richard A. McKay.
Chicago, 432 pp., £26.50, November 2017, 978 0 226 06395 9
Show More
Modern Nature: The Journals of Derek Jarman, 1989-90 
by Derek Jarman.
Vintage, 314 pp., £9.99, May 2018, 978 1 78487 387 5
Show More
Smiling in Slow Motion: The Journals of Derek Jarman, 1991-94 
by Derek Jarman.
Vintage, 388 pp., £9.99, August 2018, 978 1 78487 516 9
Show More
The Ward 
by Gideon Mendel.
Trolley, 88 pp., £25, December 2017, 978 1 907112 56 0
Show More
Show More
... All the men caught up in the epidemic had endured homophobia by virtue of living in an aggressively heterosexual society, often in aggressively heterosexual families. The writer and activist Larry Kramer was told by his father that he wished he’d ‘shot [his] load in the toilet’; when France came out to his family, his father was baffled: ‘It’s like wearing shorts to show off a wooden leg ...
6 April 1995
Shark-Infested Waters: The Saatchi Collection of British Art in the Nineties 
by Sarah Kent.
Zwemmer, 270 pp., £19.95, November 1994, 0 302 00648 6
Show More
The Reviews that Caused the Rumpus, and Other Pieces 
by Brian Sewell.
Bloomsbury, 365 pp., £12.99, November 1994, 0 7475 1872 6
Show More
Show More
... clear. Shortly before the 1993 Prize, an actual dispute about contemporary art was staged at the Tate – defending, Michael Craig-Martin, leading light at Goldsmiths’ College; prosecuting, Hilton Kramer, editor of the New Criterion (it’s telling that there was no obvious British champion on this side). It was made a condition that the speakers should not address each other. Afterwards I went to ...

All That Gab

James Wolcott: The Upsides of Sontag’s Downsides

24 October 2019
Sontag: Her Life 
by Benjamin Moser.
Allen Lane, 832 pp., £30, September 2019, 978 0 241 00348 0
Show More
Show More
... Stingray in a long stately dress and sandals, was a chic postcard for California dreamin’. But Sontag magnetised the camera her entire career, a watchful muse and Medusa starer in portraits by Peter Hujar (whose photographs line the inside cover of Moser’s book like a wall of publicity stills), Diane Arbus, Richard Avedon, Robert Mapplethorpe, and, later, her partner Annie Leibovitz. Sontag ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.