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“... short stories from which equally mediocre horror films have been made; and Michael Howell and Peter Ford’s The True History of the Elephant Man. The best of the lot is the last, a well-researched and level-headed biography that tells us considerably more about Joseph Merrick than we knew before. For example: Treves recorded that he carried about ...”

“... and a lot more people die. There’s plenty of blood to look at, and a longer glimpse of Peter Fonda’s entrails than most people will be eager to have (he’s a bounty hunter who’s been shot during the robbery of a coach). In the fantasy style required of current cinema, his body, open entrails notwithstanding, shows no sign of human ...”

“... no longer offer them maps in which the Empire is coloured red. Penguin Books’ reissue of Boris Ford’s Pelican Guide to English Literature, which first appeared a quarter of a century ago as an alternative version to ‘authorised’ literary history, is a reminder that not much happens that is new in academic warfare. Boris ...”

“... Doctor’s last four incarnations (in reverse order: Paul McGann, Sylvester McCoy, Colin Baker, Peter Davison), though obviously no match for Tom Baker – at the controls of a souped-up Tardis. As I write, he’s at the mercy of a gang of obese aliens who’ve long been lurking behind the scenes at Downing St, and for complicated reasons have just staged ...”

“... are exotic industry, autobiographical fluency and, to adapt what somebody once said about Ford Madox Ford, a desire to write well so strong that it shows. According to his own listing, this is James’s 24th book. So at 50, despite his relatively inauspicious start and his obvious determination to obey the ...”

“... building, and although it’s been reported that the tenants will be the design studio of the Ford Motor Company, the client was a property developer – Derwent Valley Holdings. One can imagine design decisions being made on the basis of picking and mixing from a catalogue. The curved roof (‘the predominant architectural signature’) is an echo of the ...”

“... is something rather dogged about some aspects of the Pre-Raphaelite work ethic. In April 1855, Ford Madox Brown wrote in his diary about the drawing for Work: ‘This is now to me a species of intoxication,’ he exclaims. ‘When I drew in the poor little vixen girl pulling her brother’s hair, I quite growled with delight.’ This entry is interesting ...”

“... I see it, and now that I’m in the joke very funny it is too. But it increases my doubts about Peter Wollen’s piece on Tina Modotti and Frida Kahlo, which is part of, which in fact comprises, that section of the anthology labelled ‘Women, Mexico, Revolution, Art’. Frida and Tina are, allegedly, revolutionary Mexican artistic women, linked also by ...”

“... One may ask of Ms Ford’s book, rather as Alice asks of the White Knight’s poem: ‘What is it called?’ The title on the jacket is ‘Men’; the title on the title-page is Men. The jacket is the part of a book where publishers most candidly make known their views. Publishing contracts specifically reserve to the publisher the right to determine its appearance, unilaterally if necessary ...”

“... and whimsicalities into the author of ‘Sunday Morning’, ‘The Emperor of Ice-Cream’ and ‘Peter Quince at the Clavier’.Stevens met Elsie Viola Moll (née Kachel) in June 1904, during a visit to his hometown of Reading, Pennsylvania. He had been living in New York since 1900, and had discovered the hard way that ‘the world holds an unoccupied niche ...”

“... paintings … No one nowadays is skilful or laborious enough to forge a Meissonier or a Ford Madox Brown that would deceive even a professional expert.’ He was wrong about the skill: look at the Giunti Botticelli, which could have been on the easel when he wrote. But slight sketches, if you can get into your painter’s way of making marks, and ...”

“... photograph, one of which is found by the narrator, and the other by a computer journalist called Peter Mays, who discovers it in Chicago among some family heirlooms. In a novel full of intellectual, descriptive and stylistic diversions, these two figures take us down some remarkable by-roads. The three farmers are somehow linked with the ‘Peace Ship’ in ...”

“... only in such mean backstreets, or in a war or wilderness, can a man become a macho hero. Richard Ford’s Harry Quinn has come to the Mexican city of Oaxaca to buy his ex-lover Rae’s brother Sonny out of jail. Sonny has been found in a hotel room with a lot of cocaine. The dealer he was running for believes Sonny was double-crossing him. The moves in the ...”

“... of low expectations’. ‘Bush’s conversational storytelling makes for engaging reading,’ Peter Baker writes in the New York Times. ‘It’s folksy, sharply observed and surprisingly affecting,’ Michiko Kakutani says in the same paper. ‘A helluva good read,’ Douglas Brinkley writes in the Financial Times. ‘Bush Jr’s new memoir doesn’t ...”

“... Thirty years later, when Eliot’s prestige and influence were at their zenith, John Peter, a Canadian academic, published an article in Essays in Criticism called ‘A New Interpretation of The Waste Land’. Peter argued that the poem was at heart an elegy that might be compared to Tennyson’s In ...”