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The Need for Buddies

Roy Porter, 22 June 2000

British Clubs and Societies 1580-1800: The Origins of an Associational World 
by Peter Clark.
Oxford, 516 pp., £60, January 2000, 0 19 820376 4
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... digesting the Times at the Reform or Athenaeum, before sorting out the world’s evils. But as Peter Clark, Britain’s leading urban historian, notes in a characteristically fact-packed but thoughtful study, that most English of institutions was going strong long before then. Indeed, Sam Johnson’s beloved ‘clubbable’ men must have been in ...

Somewhere else

Rosalind Mitchison, 19 May 1988

The Peopling of British North America: An Introduction 
by Bernard Bailyn.
Tauris, 177 pp., £12.95, April 1987, 1 85043 037 3
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Voyagers to the West: Emigration from Britain to America on the Eve of the Revolution 
by Bernard Bailyn.
Tauris, 668 pp., £29.50, April 1987, 1 85043 038 1
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Migration and Society in Early Modern England 
edited by Peter Clark and David Souden.
Hutchinson, 355 pp., £25, February 1988, 0 09 173220 4
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Gypsy-Travellers in 19th-Century Society 
by David Mayall.
Cambridge, 261 pp., £25, February 1988, 0 521 32397 5
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... match in point of readability and excitement. The essays, mostly for the 17th century, edited by Peter Clark and David Souden are not all new work They include an important reprinted article on age-specific mobility in England by Roger Schofield, the well-known study of Cardington in the 1780s. They also include an article of ...

Peter Campbell

Mary-Kay Wilmers: On Peter Campbell, 17 November 2011

... The fox on the cover of this issue is walking past Peter Campbell’s house in South London, the house (he wrote about it in the LRB in September) where he and his wife had lived since 1963. Peter died – in that house – on 25 October and the picture on the cover is the last one he painted ...

A life, surely?

Jenny Diski: To Portobello on Angel Dust, 18 February 1999

The Ossie Clark Diaries 
edited by Henrietta Rous.
Bloomsbury, 402 pp., £20, October 1998, 0 7475 3901 4
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... Ossie Clark, for those who never hankered after his confections in the late Sixties and early Seventies, was a dress designer. His designs are in museums of fashion quite as legitimately as a gold necklace from ancient Egypt is displayed in the British Museum, or the uniform of the Light Brigade is illustrated in the Imperial War Museum ...

At the V&A

Peter Campbell: Ossie Clark, 21 August 2003

... and decent and to discipline what may look like careless folds into flattering rhythms. Ossie Clark was very good indeed at the physical business of dressmaking. What must have been a fine native talent was refined at the Royal College of Art when that institution was at its height as a forcing-ground for young designers. Many (although by no means ...

Into the sunset

Peter Clarke, 30 August 1990

Ideas and Politics in Modern Britain 
edited by J.C.D. Clark.
Macmillan, 271 pp., £40, July 1990, 0 333 51550 1
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The Philosopher on Dover Beach 
by Roger Scruton.
Carcanet, 344 pp., £18.95, June 1990, 0 85635 857 6
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... own domain, are turning into another sunset home. In this spirit one can commiserate with J.C.D. Clark, as editor of the volume of essays, Ideas and Politics in Modern Britain, which was clearly intended as a tract for the times and has ended up as a period piece. In the nature of things, the essays had to be written some time back – that by John ...

Knobs, Dots and Grooves

Peter Campbell: Henry Moore, 8 August 2002

Henry Moore: Writings and Conversations 
edited by Alan Wilkinson.
Lund Humphries, 320 pp., £35, February 2002, 0 85331 847 6
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The Penguin Modern Painters: A History 
by Carol Peaker.
Penguin Collectors’ Society, 124 pp., £15, August 2001, 0 9527401 4 1
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... way of exhibitions and the publicity that accompanies them. Nearly half a century later, Kenneth Clark, writing to Eunice Frost at Penguin about the inclusion of Braque in the Modern Painters series, which had until then featured only British artists, said: The old scheme seemed to me valuable because it helped people to understand painters whose work they ...

At the National Gallery

Peter Campbell: Fakes, 22 July 2010

... as a masterpiece by Botticelli, but the feeling that something was wrong about it grew. Kenneth Clark said the Madonna had ‘something of the silent cinema star about her’ (he mentioned Jean Harlow), and the too full lips, the baby-doll look, now seem very un-Botticelli: the picture refuses to fit the template. The models and film stars that define our ...

Cursing and Breast-Beating

Ross McKibbin: Manning Clark’s Legacy, 23 February 2012

An Eye for Eternity: The Life of Manning Clark 
by Mark McKenna.
Miegunyah, 793 pp., £57.95, May 2011, 978 0 522 85617 0
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... Manning Clark’s funeral, on 27 May 1991 at – to the surprise of many – St Christopher’s Roman Catholic Cathedral in Canberra, was attended by much of Australia’s ‘progressive’ elite: the governor-general (Bill Hayden), the prime minister (Bob Hawke), the deputy prime minister and future prime minister (Paul Keating), all of them at one time leaders of the Labor Party, along with much of the federal cabinet, the chief justice of the High Court and six hundred others ...

Successive Applications of Sticking-Plaster

Andrew Saint: The urban history of Britain, 1 November 2001

The Cambridge Urban History of Britain. Vol. III: 1840-1950 
edited by Martin Daunton.
Cambridge, 944 pp., £90, January 2001, 0 521 41707 4
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... to finish. ‘Why have so many of Britain’s great cities fared so badly in the 20th century?’ Peter Clark, the general editor of the series, asks in his preface. Turn the page, and Martin Daunton’s introduction descends with unconcealed relish into the ‘decay, corruption, stench and stickiness’ of the early Victorian city – a hell from which ...

The Other Half

Robert Melville, 4 July 1985

Kenneth ClarkA Biography 
by Meryle Secrest.
Weidenfeld, 310 pp., £12.95, September 1984, 9780297783985
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... I knew Kenneth Clark by sight some time before he spoke to me. It was in the late Fifties, I think, at the press view of an exhibition of 20th-century English painting, that words were exchanged. We must have got there very early, because no one else was in the gallery. I was standing in front of a big Pasmore and Clark was coming to look at it ...

On Thatcher

Karl Miller, 25 April 2013

... Neal Ascherson, Christopher Hitchens, R.W. Johnson, Ross McKibbin, E.P. Thompson, Tam Dalyell and Peter Clarke. What they wrote seemed excellent to me, with Runciman bearing the palm for aphoristic conciseness. In embarking on a review, also in 1989, of Hugo Young’s biography of her, R.W. Johnson was also concise: ‘personally, she is neither nice nor ...

At Blythe House

Peter Campbell: The V&A’s Working Store, 24 June 2010

... of Dress, a collaboration between the psychoanalyst Adam Phillips and the exhibition maker Judith Clark. The project was commissioned by Artangel, which has had a hand in other transformative events – for example, Francis Alÿs’s CCTV footage of a fox exploring the National Portrait Gallery at night. On your descent through floors of things sleeping the ...

The Same Old Solotaire

Peter Wollen, 4 July 1996

‘Salome’ and ‘Under the Hill’ 
by Oscar Wilde and Aubrey Beardsley.
Creation, 123 pp., £7.95, April 1996, 1 871592 12 7
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Aubrey Beardsley: Dandy of the Grotesque 
by Chris Snodgrass.
Oxford, 338 pp., £35, August 1995, 0 19 509062 4
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... a Modernist, or at least as an important source for Modernism, was most carefully made by Kenneth Clark in the Sixties, a decade which saw its own ‘Beardsley boom’, a popular revival which accompanied op art, Beaton’s Ascot, Yellow Submarine and Performance. Clark described the drawings from Salome as ‘hard-edged ...

Someone Else, Somewhere Else

Peter Clarke, 13 November 1997

Virtual History: Alternatives and Counterfactuals 
edited by Niall Ferguson.
Picador, 548 pp., £20, April 1997, 9780330351324
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... too complex for unilinear prediction. A germane point is well developed in a later essay by J.C.D. Clark, who seizes on the tension between sound arguments for contingency and a misguided development of far-reaching counterfactul examples of alternative futures: ‘The counterfactual assumes clearly identifiable alternative paths of development, whose ...

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