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“... everyone else to smell like her and look like her. ‘I imposed black,’ she told her friend Paul Morand in the collection of reminiscences he published after her death as The Allure of Chanel, ‘it’s still going strong today, for black wipes out everything else around.’ Chanel No. 5 – still the bestselling perfume in the world– also wipes ...”

“... bored wife with the Irishman called Bill. She is a remote descendant – via someone like Paul Morand – of Madame Bovary, and she organises a dance for the Irishmen. I was as eager as Natasha Rostov before her first ball to know what a dance in a provincial town in Albania would have been like c.1938, but Kadare is not Tolstoy, and all I learnt ...”

“... treats Crommelynck’s work with just though brief respect, and lists that Le Cocu was reviewed by Paul Morand in La Nouvelle Revue Française in 1921, its first year. It is thus not quite true that the beautiful innocence of the quarrelsome mind of Joyce, his complete lack of snobbery when confronted with literary merit, saved him from getting cross ...”

“... but seeing them move apart suddenly, as though the ground were splitting open.’ In Open Sky Paul Virilio cites this experience to secure an abstruse point about ‘the fractal nature of vision that results from high-speed adaptation’, but it also helps him connect, with typically swift insouciance, some of the leading themes of his ...”

“... Academy was a grudging discretion. Ten years was deemed a decent enough interval in the case of Paul Morand, for example, whose ‘role during the last war’ led to the defeat of his candidacy in 1958: in 1968 he was duly elected to the Academy. The Academy’s refusal of all attempts at reform and renewal has not done it much good: today it is seen ...”

“... collaborationists. When he won the Roger-Nimier Prize in May 1968, it was bestowed on him by Paul Morand, a former adviser to Pierre Laval. Modiano defended his borrowings from anti-Semitic literature as a ‘kind of weapon’ against anti-Semitism, but this critique, it turned out, could also be read as a homage. Modiano’s​ best-known ...”

“... the wars, there was a strong strain of exoticism in French writing, variously surfacing in Gide, Morand, Saint-Exupéry, Michaux, Leiris, Malraux and others, to which Tristes Tropiques can be seen as a melancholy quietus. Little comparable followed. On this side of the Channel, where the tradition was always less philosophical, no such break is visible. The ...”