Search Results

Advanced Search

1 to 15 of 60 results

Sort by:

Filter by:

Contributors

Article Types

Authors

Thunder in the Mountains

J. Hoberman: Orson Welles, 6 September 2007

Orson WellesHello Americans 
by Simon Callow.
Vintage, 507 pp., £8.99, May 2007, 978 0 09 946261 3
Show More
What Ever Happened to Orson WellesA Portrait of an Independent Career 
by Joseph McBride.
Kentucky, 344 pp., $29.95, October 2006, 0 8131 2410 7
Show More
Show More
... Like Dead Elvis and Dead Marilyn, Dead Orson is very much with us. He lives on, not only in the restored ‘director’s cuts’ of his re-released movies, the posthumously completed projects and newly adapted screenplays of never-made films, but as a character in other people’s novels, plays and movies. He haunts the murderous teenagers of Heavenly Creatures as ‘the most hideous man alive’, matches wits with Kenneth Tynan and Laurence Olivier in Austin Pendleton’s play Orson’s Shadow, and has even been fingered posthumously as a suspect in the 1947 Black Dahlia murder ...

Magnifico

David Bromwich: This was Orson Welles, 3 June 2004

Orson WellesThe Stories of His Life 
by Peter Conrad.
Faber, 384 pp., £20, September 2003, 0 571 20978 5
Show More
Show More
... At 8 o’clock on the night of 30 October 1938, listeners to Orson Welles’s Mercury Theater on the Air might have noticed a short announcement: the show that evening was going to be an adaptation of H.G. Wells’s War of the Worlds. A lead-in paragraph followed: ‘We know now that in the early years of the 20th century, this world was being watched closely by intelligences greater than man’s and yet as mortal as his own ...

Pamela

Alan Brien, 5 December 1985

Orson Welles 
by Barbara Leaming.
Weidenfeld, 562 pp., £14.95, October 1985, 0 297 78476 5
Show More
The Making of ‘Citizen Kane’ 
by Robert Carringer.
Murray, 180 pp., £8.95, October 1985, 0 7195 4248 0
Show More
Spike Milligan 
by Pauline Scudamore.
Granada, 318 pp., £8.95, October 1985, 0 246 12275 7
Show More
Nancy Mitford 
by Selina Hastings.
Hamish Hamilton, 274 pp., £12.50, October 1985, 0 241 11684 8
Show More
Rebel: The Short Life of Esmond Romilly 
by Kevin Ingram.
Weidenfeld, 252 pp., £12.95, October 1985, 0 297 78707 1
Show More
The Mitford Family Album 
by Sophia Murphy.
Sidgwick, 160 pp., £12.95, November 1985, 0 283 99115 1
Show More
Show More
... between puffs, that there had been an unfortunate misprint in a piece he had written about Orson Welles. Luckily, he had spotted this in the first edition and now was on his way to ensure it was corrected for the rest of the day’s run. While he was inside, I bought the paper and read his article in the pub over the way. I could not see the error ...

At the Movies

Michael Wood: ‘Touch of Evil’, 30 July 2015

Touch of Evil 
directed by Orson Welles.
Show More
Show More
... In​ a memo about Touch of Evil, Orson Welles asked Universal Studios to pay attention to the ‘brief visual pattern’ he had drawn, suggesting improvements for the film. This was probably the last sort of help they needed. They wanted a beefy blockbuster and here he was talking about a sliver of art. The studio had added scenes to his work, re-edited others ...

People shouldn’t be fat

Zachary Leader, 3 October 1996

Orson WellesThe Road to Xanadu 
by Simon Callow.
Cape, 640 pp., £20, March 1995, 0 224 03852 4
Show More
Rosebud: The Story of Orson Welles 
by David Thomson.
Little, Brown, 460 pp., £20, September 1996, 0 316 91437 1
Show More
Show More
... By the end of his life Orson Welles weighed 350 pounds. His appetite, though, was not a late development. In Simon Callow’s biography the composer Virgil Thomson reports the 22-year-old actor-director devouring ‘oysters and champagne, red meat and burgundy, dessert and brandy’ immediately before squeezing into a canvas corset to play Brutus in Julius Caesar ...

Sabotage

Gavin Millar, 13 September 1990

Citizen WellesA Biography of Orson Welles 
by Frank Brady.
Hodder, 655 pp., £18.95, January 1990, 0 340 51389 6
Show More
If this was happiness: A Biography of Rita Hayworth 
by Barbara Leaming.
Weidenfeld, 312 pp., £14.95, September 1989, 0 297 79630 5
Show More
Norma Shearer 
by Gavin Lambert.
Hodder, 381 pp., £17.95, August 1990, 0 340 52947 4
Show More
Ava’s Men: The Private Life of Ava Gardner 
by Jane Ellen Wayne.
Robson, 268 pp., £14.95, November 1989, 0 86051 636 9
Show More
Goldwyn: A Biography 
by Scott Berg.
Hamish Hamilton, 579 pp., £16.95, September 1989, 0 241 12832 3
Show More
The Genius of the System: Hollywood Film-Making in the Studio Era 
by Thomas Schatz.
Simon and Schuster, 514 pp., £16.95, September 1989, 0 671 69708 0
Show More
Show More
... Extravagance and self-indulgence were among the kinder accusations levelled at Orson Welles by industry chiefs. For the most part the charges were unjust. Not only was Welles possibly the most distinguished film artist to be abused and all but broken by the system, and by leading individuals within it (including politicians, newspaper magnates, journalists, gossip-columnists and even critics), he was possibly the least culpable ...

Diary

A.J.P. Taylor: Save the Round Reading-Room! , 20 February 1986

... film – of a sort that does no harm. Of the great film artists who have recently died, Orson Welles, I suppose, led the field for a long time; Citizen Kane had no rival. It sounded as if it were really true, and perhaps it was. I was once asked to share a film with Welles. I wisely refused. Greta Garbo ...

On the Sofa

Malin Hay: ‘Russian Doll’, 12 May 2022

... threatens to swamp them. References to Lou Reed, Cheers, Douglas Hofstadter, quantum mechanics and Orson Welles jostle for attention. Swathes of plot are filled in through explanatory dialogue and Nadia’s muttered soliloquies as she pounds the streets. Alan is served a lukewarm side plot involving his Ghanaian grandmother, a sort of gay love story and ...

At the Movies

Michael Wood: ‘Mank’, 21 January 2021

... the name of a mood.The actual history of the screenplay is complicated, and it seems clear that Orson Welles, Mankiewicz and John Houseman all had a hand in it. Mankiewicz signed a contract that meant he would receive payment for his work but not get a credit; later, he managed to get his name, along with ...

Diary

Christopher Harvie: Cars and Cuckoo Clocks, 26 January 1995

... Cuckoo clocks,’ said the President. Orson Welles on the Prater Wheel slipped in and out of my mind. ‘Cuckoo clocks: the one area where the Swiss haven’t run us out of business.’ Last year I was made cochair of a government-university colloquium on the future of industry and society in Baden-Württemberg, Europe’s most prosperous region, but one perilously dependent on the building of cars ...

E Bada!

Rye Dag Holmboe: What Isou Did to Language, 21 July 2022

Speaking East: The Strange and Enchanted Life of Isidore Isou 
by Andrew Hussey.
Reaktion, 328 pp., £20, September 2021, 978 1 78914 492 5
Show More
Show More
... as ‘old’ and ‘impotent’, calling them ‘whores’ and ‘arselickers’. He even met Orson Welles, who interviewed him in 1955 for his documentary Around the World with Orson Welles. You can see the clip on YouTube: a bemused Welles listening to Isou and two fellow ...

At the Movies

Michael Wood: Marlene Dietrich, 17 December 2020

... future’s all used up.’ The writer in the first case is Daniel Taradash, in the second Orson Welles. She is the urban exception in the wild country, the elaborately dressed lady with the fancy hairdo who knows more about life than any of the cowboys or prospectors. She is indispensable, if not to the West then certainly to the Western: the ...

At the Movies

Michael Wood: ‘Dune’, 16 December 2021

... the picture is the adaptation that Alejandro Jodorowsky never made, starring Salvador Dalí and Orson Welles, which was to last twelve hours and cover the action of the whole first novel. This doomed project became the subject of a remarkable 2013 documentary by Frank Pavich.Villeneuve’s Dune, identified as Part One, ends with Paul Atreides, not yet ...

At the Movies

Michael Wood: ‘A Fistful of Dollars’, 26 April 2018

... look up to him, not morally but physically, because of the low-angle shots Leone has borrowed from Orson Welles, and there is a faint flicker of a vulnerable past in his one good deed. He liberates the captive woman and her husband and child – now we see what those frightened and crying figures were doing in the movie – and when she asks him why he is ...

At the Movies

Michael Wood: ‘An Autumn Afternoon’, 22 May 2014

An Autumn Afternoon 
directed by Yasujirō Ozu.
Show More
Show More
... films are famous for their empty corridors and low angles – the shots look like quotations from Orson Welles deprived of all their drama – and characters often appear as almost incidental figures in these decors, ghosts in their own lives. But An Autumn Afternoon, while faithful to this tone and style, fills them out with colour and a little more ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences