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“... What does seem clear is that by 1950 he had narrowed his life and become, in the words of Michael Hirst – one of his appointments to the staff of the Courtauld Institute – ‘a driven man and increasingly closed in’, relentlessly working on his scholarly books but rarely listening to music or reading outside his field of study, with little ...”

“... to apply it first to a less versatile talent. Very much less noise accompanied the publication of Michael Hirst’s elegantly written and succinctly argued Michelangelo and his Drawings, which is now established as a classic, essential reading for all serious students of the artist – and indeed for all serious students of Renaissance ...”

“... of the 15th-century decorations, and of Raphael’s tapestries. There is also an article by Michael Hirst which subjects to scrutiny the fragile sheets from the little sketchbook by Michelangelo in the Ashmolean Museum in Oxford. He finds more material there, and has made more sense of it, than any previous scholar. To move from these tiny ...”

“... underestimation of the ability of the Lebanese to defend themselves is the main theme of David Hirst’s elegantly written and highly informed history. For many years one of the most perceptive correspondents in the Middle East, he says he decided to write this book after the 34-day war in the summer of 2006, when Israel rained explosives on Lebanon in a ...”

“... In 1975, Andy Warhol peered into the future and saw … Damien Hirst? ‘Business Art is the step that comes after Art,’ Warhol wrote in The Philosophy of Andy Warhol. Not only was it OK for artists to make as much money as possible, but ‘making money is art’ and ‘good business is the best art.’ At the time Warhol was the master of Business Art – he established Andy Warhol Enterprises in 1957, and films, Interview magazine, books and TV programmes were to follow – but his operation was small beer by contemporary standards ...”

“... enterprise: some of the contributors are no sort of Marxist (David Marquand, for example) and two, Michael Rustin and Paul Hirst, are politely but firmly critical of the New Times thesis. It says something about their editorial style that no attempt is made by the editors to answer or even comment on Rustin and ...”

“... of artists, who first came to public notice in 1988 with the Freeze show organised by Damien Hirst, were the beneficiaries of the hard work of the St Ives Group, the Independent Group, the Royal College Pop artists and so on, all of whom had successively edged British art into a position where it could at last compete in the world of international ...”

“... he discovered a more promising research area: the phenomenon of repulsion in a magnetic field that Michael Faraday had recently termed ‘diamagnetism’. In 1851 he returned to Britain, relying for money on teaching and journalism, particularly for the Philosophical Magazine, edited by William Francis (later of Taylor and Francis, the popular scientific ...”

“... from both Socialist Realism and the realism of contemporary artists such as Jeff Koons, Damien Hirst and Richard Prince, who celebrate ‘the total fetishisation of object relations’, but maintains a more ambiguous relationship with formalism in which he ‘attempts to imbue abstract painting with a mnemonic dimension, commemorating, if nothing else, at ...”

“... was something like Manager of Decommissioned Underground Material and I had gone to see him with Michael Morris, one of the directors of Artangel, a company that puts on art events in different media in unusual places. He was trying to get permission to use the runnels and platforms for The Vertical Line, a performance piece devised by John Berger. In Ways ...”

“... It hit the big time a while ago, with sought-after interviews with the Stone Roses and George Michael (‘breaking a six-year silence’). Guest editors have included Damien Hirst and David Bailey – Big Issue chic. The ads say something, too: Levis, Sony, Calvin Klein, Bacardi; British Nuclear Fuels, a contentious ...”

“... the 1993 Prize, an actual dispute about contemporary art was staged at the Tate – defending, Michael Craig-Martin, leading light at Goldsmiths’ College; prosecuting, Hilton Kramer, editor of the New Criterion (it’s telling that there was no obvious British champion on this side). It was made a condition that the speakers should not address each ...”

“... Impossibility of Death in the Mind of Someone Living – better known as his shark – Damien Hirst ‘takes the format of the Minimalist open box, or shallow tray or modular cube, and inserts a kind of human or at least a bodily content in it.’ So Hirst gave the empty box a content, in the literal sense of the ...”

“... the extraordinary sums of money involved,1 were quickly followed by the prosecution in Britain of Michael Collier. Chairman of Morgan Grenfell, the largest securities firm in the City of London, for making an instantaneous profit of £15,000 on the purchase of shares in a company he knew was about to be taken over. A steady series of cases involving ...”

“... his death, Daniel Farson wrote an affable, elbow-nudging Gilded Gutter Life of Francis Bacon; Michael Peppiatt followed with the more measured speculations of Francis Bacon: Anatomy of an Enigma (1996); and last year the Tate staged a small exhibition of his recently uncovered, painfully bathetic sketches on paper. Sylvester, who worked on that and ...”