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The Thing

Michael Wood: Versions of Proust

6 January 2005
In Search of Lost Time: Vol. I: The Way by Swann’s 
by Marcel Proust, edited by Christopher Prendergast, translated by Lydia Davis.
Penguin, 496 pp., £8.99, October 2003, 0 14 118031 5
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In Search of Lost Time: Vol.II: In the Shadow of Young Girls in Flower 
by Marcel Proust, edited by Christopher Prendergast, translated by James Grieve.
Penguin, 576 pp., £8.99, October 2003, 0 14 118032 3
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In Search of Lost Time: Vol. III: The Guermantes Way 
by Marcel Proust, edited by Christopher Prendergast, translated by Mark Treharne.
Penguin, 640 pp., £8.99, October 2003, 0 14 118033 1
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In Search of Lost Time: Vol. IV: Sodom and Gomorrah 
by Marcel Proust, edited by Christopher Prendergast, translated by John Sturrock.
Penguin, 576 pp., £8.99, October 2003, 9780141180342
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In Search of Lost Time: Vol. V: ‘The Prisoner’ and ‘The Fugitive’ 
by Marcel Proust, edited by Christopher Prendergast, translated by Carol Clark and Peter Collier.
Penguin, 720 pp., £8.99, October 2003, 0 14 118035 8
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In Search of Lost Time: Vol. VI: Finding Time Again 
by Marcel Proust, edited by Christopher Prendergast, translated by Ian Patterson.
Penguin, 400 pp., £8.99, October 2003, 0 14 118036 6
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The Proust Project 
edited by André Aciman.
Farrar, Straus, 224 pp., $25, November 2004, 0 374 23832 4
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... ère d’impertinence’: each version is so good you can’t imagine the other. And we should in any case insist on the pleasures of translation as well as the difficulties. Both James Grieve and MarkTreharne provide fine passages about the former diplomat and continuing fraud, M. de Norpois, and Treharne has the additional good luck of having the ineffable Dr du Boulbon in his assignment. Here ...

Delirium

Jeremy Harding: Arthur Rimbaud

30 July 1998
Somebody Else: Arthur Rimbaud in Africa 1880-91 
by Charles Nicholl.
Vintage, 336 pp., £7.99, May 1998, 0 09 976771 6
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A Season in Hell and Illuminations 
by Arthur Rimbaud, translated by Mark Treharne.
Dent, 167 pp., £18.99, June 1998, 0 460 87958 8
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... over one brow after another in the rolling field of the imagination – make him just as much a Modern as Baudelaire. And more fashionably, they deny the poet any tenure at the centre of the poem. MarkTreharne’s superb English versions of the Illuminations catch these shifts and transections exactly. In his rendering of ‘Les Ponts’, we can also follow the poem as it shears away into an ...

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