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Conrad Russell, 23 October 1986

Humanism in the Age of Henry VIII 
by Maria Dowling.
Croom Helm, 283 pp., £25, February 1986, 0 7099 0864 4
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Henry, Prince of Wales and England’s Lost Renaissance 
by Roy Strong.
Thames and Hudson, 264 pp., £12.95, May 1986, 0 500 01375 6
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Authority and Conflict: England 1603-1658 
by Derek Hirst.
Arnold, 390 pp., £27.50, March 1986, 0 7131 6155 8
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Rebellion or Revolution? England 1640-1660 
by G.E. Aylmer.
Oxford, 274 pp., £12.50, February 1986, 0 19 219179 9
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Politics and Ideology in England 1603-1640 
by J.P. Sommerville.
Longman, 254 pp., £6.95, April 1986, 9780582494329
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... People in which he could confess that he had left out the growth of English Protestantism. Dr Dowling’s study of Humanism in the reign of Henry VIII is, among much else, a good chance to check the significance of this omission. I cannot find in her book any definition which enables me to recognise a Humanist when I meet him or her, but since Dr ...

Real Power

Conrad Russell, 7 August 1986

Revel, Riot and Rebellion: Popular Politics and Culture in England 1603-1660 
by David Underdown.
Oxford, 324 pp., £17.50, November 1985, 0 19 822795 7
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The Reign of Henry VIII: Personalities and Politics 
by David Starkey.
George Philip, 174 pp., £9.95, November 1985, 0 540 01093 6
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... quite as ruthless as that given by Reginald Pole. Dr Starkey, following an important article by Maria Dowling, treats Anne as a major political figure, a sort of honorary counsellor, and a crucial figure in the process by which Henry was weaned away from Rome. He also develops a dramatic case in favour of the view that Henry VIII’s will, in the form ...

Someone Else’s

Matthew Reynolds: Translating Cesare Pavese, 6 October 2005

Disaffections: Complete Poems 1930-50 
by Cesare Pavese, translated by Geoffrey Brock.
Carcanet, 370 pp., £14.95, April 2004, 1 85754 738 1
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The Faber Book of 20th-Century Italian Poems 
edited by Jamie McKendrick.
Faber, 167 pp., £12.99, June 2004, 0 571 19700 0
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... in English? Two of the poems in Disaffections make you wonder. Pavese addressed them to Constance Dowling, the American actress with whom he was involved in the months before his suicide in 1950, and they now frame the sequence published posthumously as Verrà la morte e avrà i tuoi occhi (‘Death Will Come and Will Have Your Eyes’). Adopting ...

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