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Tongue breaks

Emily Wilson: Sappho, 8 January 2004

If Not, Winter: Fragments of Sappho 
by Anne Carson.
Virago, 397 pp., £12.99, November 2003, 1 84408 081 1
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The Sappho History 
by Margaret Reynolds.
Palgrave, 311 pp., £19.99, May 2003, 0 333 97170 1
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Sappho's Leap 
by Erica Jong.
Norton, 320 pp., $24.95, May 2003, 0 393 05761 5
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... have treated her gender and sexuality as the most important facts about her. The Sappho History by Margaret Reynolds is the most recent of several books devoted to the reception of Sappho which have been published in English in the last fifteen years. Reynolds herself has edited The Sappho Companion (2000), an anthology ...

Sex’n’Love

Blake Morrison, 21 February 1991

The Chatto Book of Love Poetry 
edited by John Fuller.
Chatto, 374 pp., £13.99, August 1990, 0 7011 3453 4
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The Faber Book of Blue Verse 
edited by John Whitworth.
Faber, 305 pp., £14.99, October 1990, 0 571 14095 5
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Self-Portrait with a Slide 
by Hugo Williams.
Oxford, 62 pp., £5.95, June 1990, 0 19 282744 8
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The Virago Book of Love Poetry 
edited by Wendy Mulford.
Virago, 288 pp., £6.99, November 1990, 1 85381 030 4
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Erotica: An Anthology of Women’s Writing 
edited by Margaret Reynolds, foreword by Jeanette Winterson .
Pandora, 362 pp., £19.99, November 1990, 9780044406723
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Daddy, Daddy 
by Paul Durcan.
Blackstaff, 185 pp., £5.95, August 1990, 0 85640 446 2
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... bodies.’ There is a sexual triumphalism about some of this, as when both Jeanette Winterson and Margaret Reynolds point out that women possess the only anatomical part, the clitoris, that exists solely for pleasure. But triumphs, as John Major might say, must be won on the field of play, not in dressing-room interviews, and here both anthologies fall ...

Heroes

Pat Rogers, 6 November 1986

Hume and the Heroic Portrait: Studies in 18th-Century Imagery 
by Edgar Wind, edited by Jaynie Anderson.
Oxford, 139 pp., £29.50, May 1986, 0 19 817371 7
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Augustan Studies: Essays in honour of Irvin Ehrenpreis 
edited by Douglas Lane Patey and Timothy Keegan.
University of Delaware Press, 270 pp., £24.50, May 1986, 9780874132724
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The 18th Century: The Intellectual and Cultural Context of English Literature 1700-1789 
by James Sambrook.
Longman, 290 pp., £15.95, April 1986, 0 582 49306 4
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... Institute in 1933. At the centre of this essay, and of the new volume, is the figure of Joshua Reynolds: again, if one does not immediately connect Wind with Reynolds, it should be pointed out that in the relevant entry in the New Cambridge Bibliography of English Literature, Wind supplies more items than any other ...
The Correspondence of Thomas Hobbes: Vols I-II 
edited by Thomas Hobbes and Noel Malcolm.
Oxford, 592 pp., £60, September 1994, 0 19 824065 1
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... and would not have expected his death to placate them. It is touching to find him in 1662 thanking Margaret Cavendish for the gift of one of her own works: ‘For tokens of this kind are not ordinarily sent but to such as pretend to the title as well as to the mind of friends.’ Hobbes had had too much experience of friends who would share their thoughts with ...

Hoydens

Susannah Clapp, 18 February 1988

A Woman of Passion: The Life of E. Nesbit, 1858-1924 
by Julia Briggs.
Hutchinson, 473 pp., £16.95, November 1987, 9780091682101
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Narratives of Love and Loss: Studies in Modern Children’s Fiction 
by Margaret Rustin and Michael Rustin.
Verso, 268 pp., £22.95, November 1987, 9780860911876
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... the names of her intimate friends. Julia Briggs shows that two of Nesbit’s lovers – Richard Reynolds and Oswald Barron – are saluted in the figures of Dicky and Oswald Bastable. She also suggests that in these books Nesbit represented herself as twins: a weedy boy poet and his spirited sister. The weed’s name is Noel: Mrs Briggs has discovered that ...

The Great Business

Nicholas Penny, 21 March 1985

Art of the 19th Century: Painting and Sculpture 
by Robert Rosenblum and H.W. Janson.
Thames and Hudson, 527 pp., £25, March 1984, 0 500 23385 3
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Romanticism and Realism: The Mythology of 19th-Century Art 
by Charles Rosen and Henri Zerner.
Faber, 244 pp., £15, October 1984, 0 571 13332 0
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Géricault: His Life and Work 
by Lorenz Eitner.
Orbis, 376 pp., £40, March 1983, 0 85613 384 1
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Tradition and Desire: From David to Delacroix 
by Norman Bryson.
Cambridge, 277 pp., £27.50, August 1984, 0 521 24193 6
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... whose paintings would not have surprised, although they would have delighted, Veronese, Rubens or Reynolds. Delaroche’s picture presents Robert Rosenblum with ‘the immediate illusion of a theatrical tableau enacted by costumed players in a crystal-clear space’. It was painted for – one might say took place at – the Salon of 1834. By then many ...

Wham Bang, Teatime

Ian Penman: Bowie, 5 January 2017

The Age of Bowie: How David Bowie Made a World of Difference 
by Paul Morley.
Simon & Schuster, 484 pp., £20, July 2016, 978 1 4711 4808 8
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On Bowie 
by Rob Sheffield.
Headline, 197 pp., £14.99, June 2016, 978 1 4722 4104 7
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On Bowie 
by Simon Critchley.
Serpent’s Tail, 207 pp., £6.99, April 2016, 978 1 78125 745 6
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Shock and Awe: Glam Rock and Its Legacy 
by Simon Reynolds.
Faber, 704 pp., £25, October 2016, 978 0 571 30171 3
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... how to conjure up a ‘black hole’ convincingly on stage.) One of the reasons I’m glad Simon Reynolds gives so much space to this earlier period (in his outsize but periodically acute history of Glam) is that it furnishes real clues to later Bowie, the Bowie of superstar myth, the master manipulator, one move ahead of everyone else. In his 1975 Rolling ...

The Rack, the Rapier, the Ruff and the Fainting Nun

Nicholas Penny: Manet/Velázquez, 10 July 2003

Manet/Velázquez: The French Taste for Spanish Painting 
by Gary Tinterow and Geneviève Lacambre et al.
Yale, 592 pp., £50, March 2003, 0 300 09880 4
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... been whipped, has collapsed on the prison paving. The child, as I explained to the late Princess Margaret on one of her visits to the Gallery, stands for the Christian soul. ‘How very, very Spanish,’ she pronounced slowly, after a moment or two pursing her lips. The Antiquary was published in 1816, not long after the Allies had insisted that the French ...

Dear Miss Boothby

Margaret Anne Doody, 5 November 1992

The Letters of Samuel Johnson: Vol. I: 1731-1772, Vol. II: 1773-1776, Vol. III: 1777-1781 
edited by Bruce Redford.
Oxford, 431 pp., £25, February 1992, 0 19 811287 4
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... him, but sometimes nothing more when we need more. In June 1781, for instance, Johnson writes to Reynolds: ‘It was not before yesterday that I received your splendid benefaction.’ There is a long note quoting Boswell’s description in the Life of Johnson of how he came upon this letter, but there is no account of what the ‘benefaction’ was or might ...

Lincoln, Illinois

William Fiennes, 6 March 1997

All the Days and Nights: The Collected Stories 
by William Maxwell.
Harvill, 415 pp., £10.99, January 1997, 1 86046 308 8
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So Long, See You Tomorrow 
by William Maxwell.
Harvill, 135 pp., £8.99, January 1997, 9781860463075
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... fiction too. In a story called ‘The Gardens of Mont-Saint-Michel’ (1969), John and Dorothy Reynolds are driving to Mont-St-Michel with their daughter Alison and their niece Linda. They recall a previous visit: Eighteen years ago, they had arrived in Pontorson from Cherbourg, by train, by a series of trains, at five o’clock in the afternoon. They had ...

Punk-U-Like

Dave Haslam, 20 July 1995

The Black Album 
by Hanif Kureishi.
Faber, 230 pp., £14.99, March 1995, 0 571 15086 1
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The Faber Book of Pop 
edited by Hanif Kureishi and Jon Savage.
Faber, 813 pp., £16.99, May 1995, 0 571 16992 9
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... music isn’t as good as it used to be, that commercialism has taken over. But some, like Simon Reynolds and Greil Marcus, emerge with their enthusiasms undiluted and are able to explore the links between the memorable moments and the groundbreaking acts, serving as a corrective to the inclination to see pop music as a series of unconnected ...

How Movies End

David Thomson: John Boorman’s Quiet Ending, 20 February 2020

Conclusions 
by John Boorman.
Faber, 237 pp., £20, February, 978 0 571 35379 8
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... I longed to make a film there.’He would need a further saviour. His rough cut was shown to Margaret Booth, nearly seventy, who had worked for D.W. Griffith, and on Garbo pictures, and on Mutiny on the Bounty. She supervised the editing, gave John a few notes, all of which he acted on, then sat through another screening with the MGM suits, who did their ...

Great Portland Street Blues

Karl Miller, 25 January 1990

Boswell: The Great Biographer. Journals: 1789-1795 
by James Boswell, edited by Marlies Danziger and Frank Brady.
Heinemann, 432 pp., £25, November 1989, 0 434 89729 9
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... inadvertent. By now, most of his cronies are gone, or estranged. Of those that remain, Joshua Reynolds, the Shakespearian scholar Malone and the politician John Courtenay are affectionate and supportive. These were the years, as we occasionally have to remind ourselves, when his Life of Johnson was completed, put to press, published, relished and ...

Old Stragers

Pat Rogers, 7 May 1981

The Garrick Stage: Theatres and Audience in the 18th Century 
by Allardyce Nicoll.
Manchester, 192 pp., £14.50, April 1980, 0 7190 0768 2
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The Kemble Era: John Philip Kemble, Sarah Siddons and the London Stage 
by Linda Kelly.
Bodley Head, 221 pp., £8.50, April 1980, 0 370 10466 8
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Early English Stages 1300 to 1660: Vol. 3: Plays and their Makers to 1576 
by Glynne Wickham.
Routledge, 357 pp., £14.50, April 1981, 0 7100 0218 1
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... common, apart from the ministrations of Boaden. They have a Hereford background. As the heroine of Margaret Drabble’s Garrick Year remarks, ‘it seemed that [Garrick] had been born in Hereford, as had Kemble, Mrs Siddons and Nell Gwynne, though of the four Garrick seemed to me to be the most interesting character.’ In fact, most authorities assign the ...

Good at Being Gods

Caleb Crain: Buckminster Fuller’s Visions, 18 December 2008

Buckminster Fuller: Starting with the Universe 
edited by K. Michael Hays and Dana Miller.
Yale, 257 pp., £35, July 2008, 978 0 300 12620 4
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... Nathaniel Hawthorne once complained. (Hawthorne was a friend of Bucky’s great-aunt Margaret Fuller, the Transcendentalist and feminist.)† Though near-sighted, young Bucky loved to sail and invented a new kind of oar. His childhood hero was Robin Hood, perhaps because his father’s death had impoverished the family. When he reached ...

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