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Malcolm Bull

23 March 1995
Nicolas Poussin, 1594-1665 
by Pierre Rosenberg and Louis-Antoine Prat.
Réunion des Musées Nationaux, 560 pp., frs 350, September 1994, 2 7118 3027 6
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Nicolas Poussin 
by Anthony Blunt.
Pallas Athene, 690 pp., £24.95, January 1995, 1 873429 64 9
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Nicolas Poussin 1594-1665 
by Richard Verdi, with an essay by Pierre Rosenberg.
Zwemmer, 336 pp., £39.50, January 1995, 0 302 00647 8
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Roma 1630: Il trionfo del pennello 
edited by Olivier Bonfait.
Electa, 260 pp., July 1994, 88 435 5047 0
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Poussin before Rome 1594-1624 
by Jacques Thuillier.
Feigen, 119 pp., £40, January 1995, 1 873232 03 9
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The Expression of the Passions 
by Jennifer Montagu.
Yale, 256 pp., £35, October 1994, 0 300 05891 8
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L’Ecole du silence 
by Marc Fumaroli.
Flammarion, 512 pp., frs 295, May 1994, 2 08 012618 0
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To Destroy Painting 
by Louis Marin, translated by Mette Hjort.
Chicago, 196 pp., £31.95, April 1995, 0 226 50535 9
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... if not sullied; the quatercentenary of his birth was an opportunity to clean and polish his image to its true lustre, to show the world that the artist was (in the words of Thuillier’s colleague, MarcFumaroli) ‘at heart ever more loyal to that noble simplicity of form that Frenchmen in the 17th century were quick to recognise as one of the ... distinctive characteristics of their own kingdom ...
25 June 1992
The Conquerors 
by André Malraux, translated by Stephen Becker.
Chicago, 198 pp., £8.75, December 1991, 0 226 50290 2
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The Temptation of the West 
by André Malraux, translated by Robert Hollander.
Chicago, 122 pp., £8.75, February 1992, 0 226 50291 0
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The Walnut Tree of Altenburg 
by André Malraux, translated by A.W. Fielding.
Chicago, 224 pp., £9.55, April 1992, 0 226 50289 9
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... Malraux’s role as Minister for Culture was no less controversial. The Maisons de la Culture that he established in the provinces are now generally seen as expensive fiascos. Professor MarcFumaroli of the Collège de France recently published a polemical book, L’Etat culturel, attacking the whole idea of French government backing for the arts as championed by Malraux – a self-glorifying ...

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