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“... Why do we feel protective about François Truffaut? No one else in the old New Wave brings out the parent in us. Godard we either hate or admire, a disturbing influence gone solitary. Rivette and Resnais remain austere masters, full of mystification. Rohmer makes beautiful reflective films behind glass. Malle and Chabrol can take care of themselves ...”

“... he wrote in 1965 for the New Yorker, ostensibly a review of autobiographies by Evelyn Waugh and Leonard Woolf. On the pretext that ‘no one can read an autobiography which describes a time, a country, a class familiar to him without starting to compose his own,’ Auden turned this into an 11,000-word comparison of his and their lives, under a series of ...”