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“... 1950 are breathtaking. MoMA’s catalogue for the exhibition contains long essays by its curator, Kirk Varnedoe, and his associate, Pepe Karmel. The Tate shares this catalogue while issuing its own publication in a smaller format with a text by the curator of the London showing, Jeremy Lewison. I’m not clear whether it has been published to serve as a ...”

“... has worked in P&S for years, under the directorships of both William Rubin (1973-88) and Kirk Varnedoe (1988-2000). Yet Elderfield’s final show in the old building, Modern Starts (2000), was cause for concern: a post-historical hodgepodge of disparate works placed together in lookalike groupings under such generic titles as ...”