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“... they know you know they know you know the code.’ Peter Ustinov’s Cold War satire Romanoff and Juliet (1956) could have been about Salisbury Court, the London home in the early 1580s of the French Ambassador to the Court of Elizabeth I, Michel de Castelnau, seigneur de Mauvissière, an establishment described by ...”

“... second time to the flame of Shakespeare’s genius ... Next day the playbills announced Romeo and Juliet. I had my pass to the pit. But to make doubly sure of getting in I rushed to the box office the moment I saw the posters and bought a stall.’ The story, a few years later, of his abortive return from Italy, with the intention of murdering Camille ...”

“... another party if it is to be more than assent. It happens within the heart (according to King John) but becomes consent only when it is declared. The word could mean, as now, agreement to a proposal, but Shakespeare’s plays reflect social conditions in which consent between lovers depends on the consent given by friends and family. As Petruchio tells ...”

“... in winter.’ These are women with names like Bubble Carew-Pole and Charlotte Bradley-Hanford and Juliet Mount Charles. Women who can say things like ‘My parents chose Wycombe Abbey because it was the nearest girls’ boarding school to Harley Street,’ or ‘My parents chose Heathfield because none of the girls had spots.’ Or, ‘My mother went to West ...”

“... detail and come up with a host of fresh examples and insights. His book makes a good complement to John Barnard’s more general but also innovative study in the new Cambridge introductions to ‘British and Irish Authors’, a high-quality series which includes Patrick Parrinder on James Joyce and John Batchelor on ...”

“... and never lets you down?’ He discusses these matters at some length in his lecture on Romeo and Juliet. And although for the most part he proceeds dutifully through the canon he occasionally jibs at plays he despises – The Taming of the Shrew is one, The Merry Wives of Windsor another. Indeed he declined to discuss The Merry Wives, and told the class they ...”

“... 18th-century critic Maurice Morgann suggested in his ‘Essay on the Dramatic Career of Sir John Falstaff’, Shakespeare’s art is to make us infer far more material about the nature and potential of his characters than is needed for the action of the play. Cordelia is not pinned to her filial devotion and her demise at the hands of Edmund’s ...”

“... actor as apart from the fiction, is described, the past tense may be in order. As, ‘Romeo takes Juliet by the hand,’ but ‘at this performance John held Mary’s hand too long.’ It all depends on the context, but distinctions are not precisely observed, as though the author was not used to stage commentary. If he is ...”

“... Royal Shakespeare Company, were they so minded, could move to injunct Hamlet Cigars or Romeo and Juliet condoms. There are troubling aspects to the 70-year-term extension and the strengthening of authors’ moral rights. That section of the population which buys classic reprints will have noticed that good editions of great works coincide with the end of ...”

“... Mary Stuart of Scotland). Only 30 or 40 years after this crowded hour, Mercutio, in Romeo and Juliet, says: ‘A plague on both your houses.’ He was not, of course, speaking ecclesiastically, but the phrase has a usefulness. So does Donne’s actually ecclesiastical comment, in his ‘Satire III’, roughly contemporary with Shakespeare’s play, that ...”

“... Wolfreston owned twelve Shakespeare quartos, including editions of Hamlet, King Lear and Romeo and Juliet, as well as Marlowe’s Hero and Leander and The Jew of Malta, Donne’s Poems and Mary Wroth’s Urania among many other works.She was also an enthusiastic tagger, recording not only her name but sometimes the hands through which a book had ...”

“... in modern art. Reading Gaston, I was reminded repeatedly of paintings by Lawrence Alma-Tadema and John William Waterhouse. Pater’s interest in these works might help us to understand their appeal not only to his contemporaries, but to audiences today. Queen Margaret of Navarre is first mentioned in the novel with a Greek quotation that links her to ...”

“... the Green Knight. At Oxford they tackle In Memoriam. O-Levellers could be confronting Romeo and Juliet and A-Levellers the poems of Herbert. The central question all of them ask of a work is what it means, and answering this question requires practice, effort, and the knowledge of more than the book alone. The last point is oddly controversial. Facts about ...”

“... read poetry. Ian Hamilton edited a selection of Lewis’s work, and there is a good biography by John Pikoulis. But his achievement has been hard to focus on. He moved quickly as a poet, and the poetry he wrote while on home service is markedly different from that written after his arrival in India in December 1942. There are also short stories, among the ...”

“... time in earlier communities. Perhaps there is too great a reliance upon certain writers (such as John Aubrey and Philip Stubbes), and arguably the eccentricities of some folkloric approaches are countenanced over-generously: but Laroque would be the first to admit that the sources are fragmentary, and his coverage of a range of anthropological perspectives ...”