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20 February 1986
Music and Civilisation: Essays in Honour of Paul Henry Lang 
edited by Edmond Strainchamps, Maria Rika Maniates and Christopher Hatch.
Norton, 499 pp., £35, March 1985, 0 393 01677 3
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The Farthest North of Humanness: Letters of Percy Grainger 1901-1914 
edited by Kay Dreyfus.
Macmillan, 542 pp., £25, December 1985, 0 333 38085 1
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by Joseph Kerman.
Collins/Fontana, 255 pp., £10.95, March 1985, 0 00 197170 0
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... and Josephson ethnography, folklore and sociology, treated historically rather than systematically, are combined with the history of musical forms and with biography. This is not nearly enough for JosephKerman, however, who complains in Musicology that the seams in Adler’s musicological patchwork quilt are showing more than ever before. Apart from the alienating fragmentation of the discipline ...


David Matthews: How to Write a Fugue

21 September 2006
The Art of Fugue: Bach Fugues for Keyboard 1715-50 
by Joseph Kerman.
California, 173 pp., £15.95, August 2005, 0 520 24358 7
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... example, in the B minor fugue in Book I of Bach’s ‘48’, the six-part ricercare from his Musical Offering, and the opening fugue of Beethoven’s C sharp minor Quartet, Op. 131. In his preface, JosephKerman quotes Charles Rosen: The ‘pure fugue’, the meditative fugue, is basically a keyboard work for Bach … Only the performer at the keyboard is in a position to appreciate the movement of ...


Paul Driver

9 October 1986
The Beethoven Sketchbook: History, Reconstruction, Inventory 
by Douglas Johnson, Alan Tyson and Robert Winter, edited by Douglas Johnson.
Oxford, 611 pp., £60, January 1986, 0 19 315313 0
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... primarily as a reference tool’. But though it is not indeed a cover-to-cover read, its significance is more than narrowly archival. It is a symbolic monument in a field – sketch-studies – which JosephKerman (closely connected with the authors and, like them, a major contributor to the important OUP series, Beethoven Studies, edited by Tyson) believes to be the most fruitful one for current ...
16 August 1990
The Don Giovanni Book: Myths of Seduction and Betrayal 
edited by Jonathan Miller.
Faber, 127 pp., £6.99, July 1990, 0 571 14542 6
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... titillating about manifest abandonment, it calls for pity: pity and lust go nicely together. The mystery grows: what do women find to enjoy in Don Giovanni, ‘Mozart’s unpleasant opera’ (JosephKerman)? Presumably they go ‘not for the doctrine, but the music there’. In view of Lipking’s play with the word ‘abandoned’ – it can signify ‘to’ as well as ‘by’ – and his equally ...
8 April 1993
Memories of Beethoven: From the House of the Black-Robed Spaniards 
by Gerhard von Breuning, edited by Maynard Solomon, translated by Henry Mins and Maynard Solomon.
Cambridge, 154 pp., £15.95, November 1992, 0 521 41710 4
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Beethoven: Studies in the Creative Process 
by Lewis Lockwood.
Harvard, 283 pp., £31.95, July 1992, 0 674 06362 7
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... saleable commodity,’ the ‘brain-owner’ insists. Lockwood’s book, epitomising the research of a brilliant, still flourishing generation of analytically enlightened sketch-scholars (Alan Tyson, JosephKerman, Douglas Johnson, Robert Winter, William Kinderman, Barry Cooper) is to such venal misprisions a corrective of which the beleaguered Beethoven may have hardly dared to dream ...

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