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“... In January 2010, Jonathan Katz was working in Haiti for the Associated Press, the only American news organisation with a permanent bureau there. Other foreign journalists lived there, and a few more flew in for elections and catastrophes, but for the most part Haiti coverage had become a casualty of slashed budgets at dying newspapers and magazines ...”

“... his photographs. The real erotic subject matter, I should say. (‘I am particularly disturbed,’ Jonathan Weinberg writes in his essay in The Archive, ‘by the way so much of the writing on Mapplethorpe sees his images of the male nude and his pictures of sex as merely projections of his own fantasies and pathologies.’) And also now that Mapplethorpe’s ...”

“... Jonathan Franzen​ has been compared to 19th-century greats: to Tolstoy, to Dickens. In respect of his best and most successful book, The Corrections, the praise carries a false hint of the retrograde, of revival of old forms or subject matter. Published at the turn of the millennium, The Corrections is a work of its time, not for its topical themes of dementia, the medicated society or stock market chicanery but for its approach to family ...”

“... Jonathan Franzen has in the past been a writer who has flourished in sequences and streaks, in set-pieces and sections, the kinds of book of which you could ask: ‘What are your favourite tracks?’ The Corrections’ war of attrition between Caroline and Gary Lambert is a breathtakingly good sequence – but Gary remains the most underpowered character in the novel ...”