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David Thomson: Terrence Malick melts away, 22 May 2025

The Magic Hours: The Films and Hidden Life of Terrence Malick 
by John Bleasdale.
Kentucky, 257 pp., £31.50, December 2024, 978 1 9859 0119 3
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... He is a real person. I met him once and talked with him. He was amiable and decent, or distant.John Bleasdale’s The Magic Hours is both a monument to unstoppable research and, in the end, an admission that even such a thorough inquiry can remain inconclusive. Bleasdale hasn’t been able to talk to Malick, or to ...

Blue Suede Studies

Hugh Barnes, 19 December 1985

Elvis and Me 
by Priscilla Beaulieu Presley and Sandra Harman.
Century, 320 pp., £9.95, October 1985, 0 7126 1131 2
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Are you lonesome tonight? 
by Alan Bleasdale.
Faber, 95 pp., £3.95, September 1985, 0 571 13732 6
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Elvis and Gladys 
by Elaine Dundy.
Weidenfeld, 353 pp., £12.95, April 1985, 9780297782100
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The Johnny Cash Discography 
by John Smith.
Greenwood, 203 pp., £29.95, May 1985, 0 313 24654 8
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Horse’s Neck 
by Pete Townshend.
Faber, 95 pp., £6.95, May 1985, 9780571138739
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Like Punk Never Happened 
by Dave Rimmer.
Faber, 191 pp., £4.95, October 1985, 0 571 13739 3
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Starlust: The Secret Fantasies of Fans 
by Fred Vermorel and Judy Vermorel.
Comet, 253 pp., £4.95, August 1985, 0 86379 004 6
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The Beatles 
by Hunter Davies.
Cape, 498 pp., £12.95, December 1985, 0 224 02837 5
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... the spirit of the new music in the same way that the voice of Mahalia Jackson identified Gospel. John Smith’s discography of Johnny Cash, who was resident in Memphis at the time and also benefited from Phillips’s expertise, contributes to the idea of a movement. Presley’s intelligence, however, has always been in doubt. Joe Esposito, his infamous ...

What are we telling the nation?

David Edgar: Thoughts about the BBC, 7 July 2005

Uncertain Vision: Birt, Dyke and the Reinvention of the BBC 
by Georgina Born.
Vintage, 352 pp., £10.99, August 2005, 0 09 942893 8
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Building Public Value: Renewing the BBC for a Digital World 
BBC, 135 pp.Show More
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... in the 1990s was self-imposed. But as Georgina Born makes clear in her definitive analysis of the John Birt and Greg Dyke eras, the consistent impetus came from government. It’s no surprise that Margaret Thatcher wanted to take on the BBC – if anything, the surprise is how long it took her. (In her first term, Thatcher’s main concern was with BBC ...

Dialect does it

Blake Morrison, 5 December 1985

No Mate for the Magpie 
by Frances Molloy.
Virago, 170 pp., £7.95, April 1985, 0 86068 594 2
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The Mysteries 
by Tony Harrison.
Faber, 229 pp., £9.95, August 1985, 9780571137893
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Ukulele Music 
by Peter Reading.
Secker, 103 pp., £3.95, June 1985, 0 436 40986 0
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Hard Lines 2 
edited by Ian Dury, Pete Townshend, Alan Bleasdale and Fanny Dubes.
Faber, 95 pp., £2.50, June 1985, 0 571 13542 0
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No Holds Barred: The Raving Beauties choose new poems by women 
edited by Anna Carteret, Fanny Viner and Sue Jones-Davies.
Women’s Press, 130 pp., £2.95, June 1985, 0 7043 3963 3
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Katerina Brac 
by Christopher Reid.
Faber, 47 pp., £8.95, October 1985, 0 571 13614 1
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Skevington’s Daughter 
by Oliver Reynolds.
Faber, 88 pp., £8.95, September 1985, 0 571 13697 4
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Rhondda Tenpenn’orth 
by Oliver Reynolds.
10 pence
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Trio 4 
by Andrew Elliott, Leon McAuley and Ciaran O’Driscoll.
Blackstaff, 69 pp., £3.95, May 1985, 0 85640 333 4
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Mama Dot 
by Fred D’Aguiar.
Chatto, 48 pp., £3.95, August 1985, 0 7011 2957 3
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The Dread Affair: Collected Poems 
by Benjamin Zephaniah.
Arena, 112 pp., £2.95, August 1985, 9780099392507
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Long Road to Nowhere 
by Amryl Johnson.
Virago, 64 pp., £2.95, July 1985, 0 86068 687 6
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Mangoes and Bullets 
by John Agard.
Pluto, 64 pp., £3.50, August 1985, 0 7453 0028 6
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Ragtime in Unfamiliar Bars 
by Ron Butlin.
Secker, 51 pp., £3.95, June 1985, 0 436 07810 4
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True Confessions and New Clichés 
by Liz Lochhead.
Polygon, 135 pp., £3.95, July 1985, 0 904919 90 0
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Works in the Inglis Tongue 
by Peter Davidson.
Three Tygers Press, 17 pp., £2.50, June 1985
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Wild Places: Poems in Three Leids 
by William Neill.
Luath, 200 pp., £5, September 1985, 0 946487 11 1
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... in ways that augur a good deal. Nonetheless, his poems, like those of Zephaniah, Amryl Johnson and John Agard, need to be read aloud to have their full impact. A white British reviewer should be cautious about praising West Indian poets for their music and rhythm, but the point is only MacDiarmid’s over again: these poets rely heavily on sound to break down ...

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