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“... and speak outside the force-field of official norms. Of the half-dozen biographies of Sakharov, Jay Bergman’s is the most probing, though none of them, it must be said, surpasses Sakharov’s own disarmingly frank account of his life. Like the Tokyo art critic, Bergman wants to know how Sakharov became a ...”

“... theory reflected its time, with the emergence of film-makers such as Antonioni, Fellini, Buñuel, Bergman, and several of the Cahiers critics themselves, and projected it back to a time when the director was not considered the author of a film but merely one of its makers (just as the rejection of the auteur theory in academic film studies since the late ...”