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“... who said horrible things about the plebeian Joyce, and about the girls who worked at Woolworths; James Kelman acted like a barbarian at the Booker dinner, and so on. Most of these commentators imagine themselves to be writing a form of intellectual history when they are only pouring gossip into fancy goblets at London book parties. They experience apparently ...”

“... writer Franz Werfel, Walter Gropius’s divorced wife and Oscar Kokoshka’s former lover. Thomas Mann, who was one of the guests, offered ‘cordial felicitations on your special day’. Some of Mann’s friends were astonished that he could maintain his friendship with Alma when he had been such a prominent opponent of ...”

“... It’s this kind of suggestive reticence that Eliot was reacting to when he remarked that Henry James had a mind so fine no idea could violate it. Along its outer border, the desire not to state ideas explicitly approaches the desire not to have them, as expressed by Flaubert’s ideal of a book about nothing. The obvious alternative to all this withholding ...”

“... how tender towards each author’s idiosyncrasies. Enright’s brief portraits of Goethe, Heine, Mann, Brecht, Flaubert, Hasek and numerous others are sprinkled with biographical curiosities, but derive their entertaining animation mainly from his sense of each writer as a distinctive intelligence inquisitively and acquisitively about its business. For a man ...”

“... the intolerable wrestle with words, but, as it were, a further wrestle with the wrestle. Thomas Mann, like Hill, an artist wary of the claims and capacities of art, lamented that his Doctor Faustus was ‘joylessly earnest, not artistically happy’, and Hill’s two new books certainly tread the gravel of the joyless. Yet in the past, Hill has made great ...”

“... from the outset. Any close resemblance between Hughes’s method and the methods of Sir James Frazer or René Girard is explained and discounted. The mere thought of Frazer prompts unavoidable and dismissive allusions to George Eliot’s Casaubon and his ‘Key to All Mythologies’, a ‘beguiling and age-old obsession’ that obviously must be ...”

“... of night school, group therapy and speed dating, took place in the basement. A mural by Charlotte Mann turned the room into a stage set depicting an upmarket holiday home. David spoke of Martin Buber, played a clip from Annie Hall and threw in some tips for tongue-tied office workers; nothing he said seemed stupid or objectionable. At regular intervals we ...”

“... In a James Bond film, viewer credulity gets its toughest workout with the hero’s tour of, and subsequent escape from, the villain’s lair. This power-crazed evil genius, this smug gentleman in a tightly tailored suit posing as a bold entrepreneur: how was he able to construct a paramilitary base over a dozen square miles in the middle of, say, the United States, without its raising an eyebrow among the local constabulary? How did he get the zeppelin hangar past the county planning board? Such vast amounts of concrete ...”

“... On 28 January 1754, Horace Walpole coined a pretty bauble of a word in a letter to Horace Mann, apropos of a happy discovery made while browsing in an old book of Venetian heraldry: Mann had just sent him the Vasari portrait of the Grand Duchess Bianca Capello, and Walpole stumbled on the Capello coat of arms ...”

“... with his largest viewing constituency in Britain. The same – but more – could be said of Clive James. James has earned himself reputations as a television host, reviewer, newspaper columnist, songwriter, ‘metropolitan critic’, versifier and novelist (Brrm! Brrm! is his third published title). He is the master of many ...”

“... unsupported, cantilevered over empty space.This is not the long sentence as practised by James, Proust or Mann. Their sentences were magnificently terraced earthworks, but Melchor’s are more like slow-motion mudslides. There’s no question of any surprise, a sting in the tail, the equivalent of Columbo’s ...”

“... Sake of Argument records a life of action, of being in the right place at the right time. Thomas Mann could never find the revolution: Hitchens cannot help tripping over it. This is, no doubt, the privilege of the foreign correspondent, but some are clearly more privileged than others. He turns up in Central America, in Central Europe, in Eastern Europe, in ...”

“... was an additional worry for the Unionists, which culminated in the dock strike of 1890. Tom Mann took over Liverpool as his special sphere of activity. Liverpool Labour, though not yet formidable, contributed further confusion to Roman Catholic and Orangeman, Unionist and Liberal. The Unionist boss, Forwood, was growing old and had been dazzled by the ...”

“... as ‘a person without an alternative’, the very worst fate that can befall anyone in a Henry James novel, and all he thinks about is his neighbour’s legacy, or more precisely ‘what old Frank would have done with the fruits of his swindle, on the occasion of the rupture that had kept them apart in hate and vituperation for so many years’. It’s a ...”

“... thing, and to Lawrence, such sickness represents the fatal flaw of the modern novel. He described Mann as ‘the last sick sufferer from the complaint of Flaubert. The latter stood away from life as from a leprosy. And Thomas Mann, like Flaubert, feels vaguely that he has in him something finer than ever physical life ...”