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“... of the melodrama of protest with characters and stories that carry conviction and plausibility,’ Jacob Leigh writes in the first chapter of The Cinema of Ken Loach. Sweet Sixteen manages to transform political commentary into dramatic irony by making the action and subtext inseparable. But even now, many decades after the intertitles and alienation ...”

“... fingers to democracy’. In an allusion to the 1909 People’s Budget crisis, the Tory MP Edward Leigh claimed that ‘not for a hundred years has the House of Lords defied this elected House.’ This claim was trumped by the insistence of Leigh’s fellow Tory MP, the ‘keen constitutional student’ ...”

“... have haunted me since. Of all my literary excursions, the grandest by far takes me back to the Rue Jacob where I inherited a flat that was something of a miniature Versailles. Immediately above lived the widow of Richard Wright, author of Native Son. Above above, Charles-Edouard Jeanneret, known to outsiders as Le Corbusier. At the end of the courtyard, the ...”

“... atheist with Shelley as his idol. Lewes actually wrote a biography of Shelley, encouraged by Leigh Hunt, though not by Mary Shelley. It was never published, he himself soon deciding it was a poor piece of work, and it disappeared. I have always regretted this lost book, but Professor Ashton convinces us that Lewes’s low opinion of it was the right ...”

“... Sainsbury. There were copious numbers of double-barrelled names: Fearnley-Whittingstall, Austen-Leigh, Scrase-Dickins, the delicious Money-Coutts. (Money Counts?) There was even a triple-barrelled name: Edward Packe-Drury-Lowe – inherently absurd because of the prospect of infinite fission: if triple, why not quadruple or quintuple? One of the boys in my ...”

“... most likely to sympathise with the new arrivals, whether Chartists like Ernest Jones or George Jacob Harney, ‘advanced’ publicists like G.H. Lewes or G.J. Holyoake, or even established writers like Carlyle or John Stuart Mill, had limited means and little patronage. But most new arrivals found that their heroism on the barricades or their daring ...”

“... I’m reminded of a story which Claus Moser tells against himself about being in the company of Jacob Rothschild and others when they were discussing how many ‘units’ various acquaintances of theirs were worth. Claus naively asked, ‘Millions?’ at which Jacob turned to him with a pitying smile and ...”

“... long-standing discussion of the plays in the Spectator and the Tatler, and then as a result of Jacob Tonson’s practice of persuading well-known writers to edit the Bard’s works. For over a century some of the finest authors in English merged their talents with those of Shakespeare as they helped in the remodelling and transmission of his plays ...”