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From Author to Reader: A Social Study of Books 
by Peter Mann.
Routledge, 189 pp., £8.95, October 1982, 0 7100 9089 7
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David Copperfield 
by Charles Dickens, edited by Nina Burgis.
Oxford, 781 pp., £40, March 1981, 0 19 812492 9
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Martin Chuzzlewit 
by Charles Dickens, edited by Margaret Cardwell.
Oxford, 923 pp., £45, December 1982, 0 19 812488 0
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Books and their Readers in 18th-Century England 
edited by Isabel Rivers.
Leicester University Press, 267 pp., £15, July 1982, 0 7185 1189 1
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Mumby’s Publishing and Bookselling in the 20th Century 
by Ian Norrie.
Bell and Hyman, 253 pp., £12.95, October 1982, 0 7135 1341 1
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Reading Relations 
by Bernard Sharratt.
Harvester, 350 pp., £18.95, February 1982, 0 7108 0059 2
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... for evidence of political partisanship; Penny Wilson on the vast readership for Classical poetry; Isabel Rivers and Thomas Preston on the still vaster religious reading public; J.V. Price on philosophical literature and G.S. Rousseau on the science book in the period. But when all the nice things are said and done, Books and their Readers in 18th-Century ...

For and against Romanistan

Nicholas Xenos, 22 August 1996

Bury Me Standing: The Gypsies and their Journey 
by Isabel Fonseca.
Chatto, 322 pp., £18.99, October 1995, 0 7011 3851 3
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... a slave caste is only one of the many bits of Gypsy history and culture that grace the pages of Isabel Fonseca’s engrossing account of Gypsy life. Much of the historical and lexicographic material is already available in Angus Fraser’s The Gypsies, but Fonseca adds concreteness to Fraser’s more scholarly account, giving a personality to these ...

Real isn’t real

Michael Wood: Octavio Paz, 4 July 2013

The Poems of Octavio Paz 
edited and translated by Eliot Weinberger.
New Directions, 606 pp., £30, October 2012, 978 0 8112 2043 9
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... Speak of the City’, Paz said: ‘No, I was thinking of Langston Hughes: The Negro Speaks of Rivers.’ This thought doesn’t cancel the other, and says quite a lot about Paz’s range. The poems often focus on the illumination of a particular instant (light is everywhere in this work), a concentration or evasion of time and space: ‘There is another ...
... from the rest, it is to discuss and analyse and exclaim over an absent one – Milly or Maggie or Isabel. Yet here, too, there is a curious shortage of ideas of the kind you or I might formulate in discussing a friend. In their place are hints, soft wonderings, head-shakings, sentences hanging in the air; communication takes place between slow implication and ...

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