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“... need is to have the already barely manageable ambiguities of Holy Writ compounded, as they are by David Rosenberg and Harold Bloom. To be sure, this response will seem pusillanimous. When believers, Jewish or Christian, read or hear what they take to be Holy Writ, it’s supposed that they respond complacently. But some of them at least respond needfully ...”

“... provide. The signs now are of a swing back to a different, more literal translation of the Bible. David Rosenberg’s The Book of J (1990) reads very differently from things like the Good News Bible or the Revised English Bible: The man named his wife Hava: she would have all who live, smooth the way, mother.     Now Yahweh made clothes from skins ...”

“... No one​ thought that Ethel Rosenberg would be executed. At the time of her trial in 1951, no federal judge had sentenced a woman to death in nearly a hundred years. She hadn’t been accused of murder or of being an accomplice to a murder or of conspiracy to commit a murder. These, it seems, were the only crimes for which the American government might kill a woman ...”

“... In June 1914, the 24-year-old Isaac Rosenberg left his home in Stepney, East London, to stay with his married sister Minnie Horvitch in Cape Town in the hope that the climate might improve his health. He was in Cape Town when he heard that war had been declared. He responded in ‘On Receiving News of the War: Cape Town’: Snow is a strange white word ...”

“... On the flyleaf of Messrs Beauchamp and Rosenberg’s book about Hume’s theory of causation, Professor Donald Davidson says of it: ‘This is certainly the best available discussion of Hume and causality. It is much more than that, however: it is the best book-length treatment of causality.’ Professor Davidson is perhaps a little biased by the fact that the authors’ views on the nature of causality coincide so very closely with his own ...”

“... Last year​ – year one of the Great War centenary – David Jones’s In Parenthesis, a long prose-and-verse evocation of his first months as a soldier, got a decent outing. The poet Owen Sheers drew on the text for his play Mametz at National Theatre Wales in the summer; Faber reissued the book with T.S. Eliot’s introduction in its series Poets of the Great War; and in Poetry of the First World War (2013), Tim Kendall chose a fine sequence of extracts – sticking to the verse where he could – even though he reckoned that Jones is ‘by far the most difficult [poet] to anthologise ...”

“... outstripped anyone’s claim to possess their own story. Here he is writing to his oldest friend, David Peltz, who is thinly fictionalised as Woody Selbst in the story ‘A Silver Dish’ and as George Swiebel in Humboldt’s Gift. ‘What matters,’ Bellow wrote to Peltz when he complained of being used, is that good things get written … We’ve known ...”

“... plastic US flag had to be removed. He also invited one of his great heroes, the art critic Harold Rosenberg, to give a lecture. Rosenberg was in the process of establishing a new arts magazine, Location, and in 1962 he asked Barthelme to come to New York as its managing editor. Give me thirty minutes to pack, Barthelme ...”

“... now admired as a kind of wartime reincarnation of Christopher Smart. Gurney trained as a musician, David Jones and Isaac Rosenberg as artists; they all served in the ranks and were excluded from the mainstream of literary life after the war – Rosenberg was dead, Gurney mad, Jones given ...”

“... The most obvious example is Cool Hand Luke (1967), a prison drama superbly directed by Stuart Rosenberg, whose background was in television, in which he plays a prisoner, beautiful and insouciant in denim, who refuses to submit to the demands of the authorities: ‘Just a lot of guys laying down a lot of rules and regulations’. Luke’s rebellion takes ...”

“... The marriage of Pollock to Raphael infuriated Greenberg’s long-time antagonist Harold Rosenberg, who argued with a nod to Existentialism that mid-century abstraction was revolutionary because it wasn’t interested in any of the conventions of painting and thus offered a radically free arena in which to act. He was not alone. Greenberg’s notion ...”

“... department. These events provide the backdrop for the fictional incidents recounted in The Forger. David Halifax, the protagonist and narrator, is an artist who arrives in Paris in 1939, at the age of 21, after he has been awarded a scholarship by a mysterious body, known only as the Levasseur Committee. The Committee handles his boarding fees and pays for ...”

“... Palmier’s sombre encyclopedia of exile, published in French in 1987 and now translated by David Fernbach, offers seemingly endless evidence of the ways in which exile often punished over and over again those who fled Germany after 1933. One story is symptomatic. Hans Bendgens-Henner, a pacifist refugee who had first settled in Holland, was expelled ...”

“... drawings relating to the Whitechapel Boys: the group of Jewish painters and writers (they included David Bomberg, Jacob Epstein, Mark Gertler and Isaac Rosenberg) who met in the library in the early decades of the 20th century. In the space at the top of the old library building is a selection, made by Michael ...”

“... Amos Oz and David Grossman are both political writers. This might seem an obvious statement, given that they are well-known for being politically vocal and have both written political (non-fiction) books consisting of interviews with their Palestinian and Israeli countrymen. But the main thing is that they also write intensely and truthfully political novels of the sort which tend to be thin on the ground in Britain ...”