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At the Queen’s Gallery

Inigo Thomas: David Hockney , 2 March 2017

... enormous queue of well-dressed men and women formed at Tate Britain on the opening night of the Hockney exhibition in early February. It inched forward, a few more guests at a time; at the back people craned their heads trying to work out the reason for the bottleneck – or gave up and went to get a drink in one of the galleries off the octagonal hall at ...

The man whose portrait they painted

Patrick Procktor, 12 July 1990

A Life with Food 
by Peter Langan and Brian Sewell.
Bloomsbury, 128 pp., £16.99, May 1990, 9780747502203
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... From David Hockney’s Lord of Misrule to its repetition on the back of the jacket, this book is a bull shot, like the cocktail at the bar in Langan’s Brasserie. It consists of Langan’s self-portrait, written in the sleepless marches, to which the art critic Brian Sewell has contributed a memoir of friendship which will come as a pleasant surprise to readers more accustomed to his inspired Sowerberry in the columns of the Evening Standard ...

A life, surely?

Jenny Diski: To Portobello on Angel Dust, 18 February 1999

The Ossie Clark Diaries 
edited by Henrietta Rous.
Bloomsbury, 402 pp., £20, October 1998, 0 7475 3901 4
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... his bare feet submerged in the pile of a white rug in Mr and Mrs Clark and Percy, the portrait by David Hockney that aspired to Gainsborough as a take on the aristocracy of London, c.1971, but owed more to Harpers & Queen. The fashion bubble of Sixties London was not quite the fourth dynasty or the historical watershed of the Crimean War. What was of ...

At the National Portrait Gallery

Andrew O’Hagan: Lucian Freud, 26 April 2012

... In the paintings, everything about him is pulled down by the weight of his own flesh. David Hockney doesn’t look so much like himself as like Freud’s style looking like itself: he is jowlier, his hair is more sparse, his eyes are pained, his brow is heavier, his collar is askew, his mouth is parched, his skin is mottled. While the ...

At the Royal Academy

Daniel Soar: Hockney, 9 February 2012

... The vast David Hockney show at the Royal Academy (until 9 April) is deliberately overwhelming. What it most looks like is an overblown, hyped-up, hyperreal parody of the Royal Academy Summer Exhibition, that super-English annual gathering of the amateur art establishment, to which the buying public with large pocketbooks flock from the Home Counties and beyond ...

Revolutionary Gaze

Mark Elvin, 4 November 1982

China Diary 
by Stephen Spender and David Hockney.
Thames and Hudson, 200 pp., £10, November 1982, 0 500 01290 3
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... qualified artist. What could I reasonably say to them? These were some of the memories stirred by Hockney and Spender’s book on their recent trip around the People’s Republic. It is lavishly illustrated and handsomely produced, and a large part of it given over to meetings with Chinese painters and poets. Yet it doesn’t contain a single reproduction of ...

On Richard Hollis

Christopher Turner: Richard Hollis, 24 May 2018

... posters and catalogues for exhibitions of the work of Donald Judd, Patrick Heron, Richard Long and David Hockney. When Hockney drew a portrait of Glazebrook, he chose to represent him with Hollis’s 1970 catalogue in his lap. Christopher Wilson’s excellent Richard Hollis Designs for the Whitechapel, the final book ...

So, puss, I shall know you another time

Peter Campbell, 8 December 1988

The World through Blunted Sight 
by Patrick Trevor-Roper.
Allen Lane, 207 pp., £16.95, August 1988, 0 7139 9006 6
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Visual Fact over Verbal Fiction 
by Carl Goldstein.
Cambridge, 244 pp., £40, September 1988, 0 521 34331 3
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Hockney on Photography: Conversations with Paul Joyce 
Cape, 192 pp., £25, October 1988, 0 224 02484 1Show More
Portrait of David Hockney 
by Peter Webb.
Chatto, £17.95, November 1988, 0 7011 3401 1
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... in modern eyes may lie in perceptual as well as in cultural embarrassment. A laconic note from David Hockney prefaces Paul Joyce’s conversations with him. It ends: ‘My photographer friends said it wasn’t really photography but painting. I’m not so sure, but I think that’s where I’d like to leave it.’ Whether it is ‘it’ the work or ...

Cage’s Cage

Christopher Reid, 7 August 1980

Empty Words: Writings ‘73-’78 
by John Cage.
Marion Boyars, 187 pp., £12, June 1980, 0 7145 2704 1
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... gestures into the music they write. There is an analogy to this situation, which the painter, David Hockney, was able to identify in an autobiographical anecdote. When Hockney was at art school and in the company of students busily mimicking the Abstract Expressionism that was new at the time, he found ...

Eyeballs v. Optics

Julian Bell: Western art, 13 December 2001

Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters 
by David Hockney.
Thames and Hudson, 296 pp., £35, October 2001, 0 500 23785 9
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... David Hockney’s new study, Secret Knowledge, sets out a thesis with vast implications, both for the way we look at Old Master paintings and the way we think about painting’s relation to photography. The more attention you give the thesis, however, the more Hockney’s presentation starts to frustrate you ...

At Pallant House

Eleanor Birne: Pauline Boty, 6 February 2014

... lead in Darling, before Julie Christie came along. She danced on Ready Steady Go!, modelled for David Bailey, introduced Bob Dylan to London, broke Peter Blake’s heart, was part-owner of a frock shop in Carnaby Street, married and gave birth to a daughter all before dying in 1966 at the age of 28. Her story was remembered but her pictures weren’t: most ...

At the Royal Academy

Eleanor Birne: Tacita Dean, 7 June 2018

... excitedly as he reads – as he always used to. A still from Tacita Dean’s film portrait of David Hockney (2016) Dean clearly has an affinity with old men. Her exhibition at the National Portrait Gallery was full of them. She visits the elderly Michael Hamburger at his Suffolk farmhouse with her movie camera, zooming in on the wonky doorways, the ...

Warhol’s Respectability

Nicholas Penny, 19 March 1987

The Revenge of the Philistines 
by Hilton Kramer.
Secker, 445 pp., £12.50, July 1986, 0 436 23687 7
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Gilbert and George 
by Carter Ratcliff.
Thames and Hudson, 271 pp., £14.95, November 1986, 0 500 27443 6
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British Art in the 20th Century 
edited by Susan Compton.
Prestel-Verlag (Munich), 460 pp., £16.90, January 1987, 3 7913 0798 3
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... In November of the following year he alerted his readers to the absence, in the art of David Hockney, of ‘the spiritual quest at the heart of modernism’. Several years later, in June 1981, he gave warning that the stained canvases of Morris Louis, the leading member of the ‘Washington Colour School’, did not represent the breakthrough ...

At Tate Britain

James Cahill: Frank Bowling, 15 August 2019

... made a Royal Academician in 2005 but he has remained a quiet man of British art in comparison with David Hockney or R.B. Kitaj, his contemporaries at the Royal College of Art in the early 1960s. ‘Swan i’ (1964) The exhibition shows how decisively he transcends the well-worn term ‘postwar British artist’: Bowling is diasporic, resisting easy ...

At New Hall

Eleanor Birne: Modern Women’s Art, 28 June 2017

... etching by Linda Karshan beside a drawing of a cigarette (‘This is not a cigarette’) by David Hockney, which not being by a woman, isn’t part of the official collection. The best galleries are the ones you can live and work ...

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