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“... work.’ Antonio Lopez’s drawing of designs by Emmanuelle Kahn, from ‘Elle’ (1967). Colin McDowell describes ‘Antonio’ as the most important fashion illustrator of the last forty years. He knew absolutely everyone – from Jerry Hall to Paloma Picasso – having been brought to Europe by Hélène Gordon-Lazareff, the founder of French ...”

“... with bands of young Mexicans and others whose insolence of attire upset the disciplined mind. Colin McDowell does not mention the ‘zoot suit riots’ in his survey of Forties fashion, which deals almost exclusively with women’s wear. He does not even shed a passing tear over those uninspiring demob suits which did so little for the morale of ...”

“... military, civilian, athletic or ‘leisure’. Yet we have all seen pictures, like those Colin McDowell reproduces in The Man of Fashion, of medieval and Renaissance men wearing (not all at the same time) slippers with long rising toes, peascod doublets with a kind of hooked belly curling out and round the genitals, sleeves that puff out in fat ...”

“... replies to the papers in this volume. Of the other contributions those by Simon Blackburn and John McDowell make an opposing pair. McDowell, writing with the preacherly obscurity that has come, regrettably, to characterise his work, offers to defend a new kind of moral naturalism that reaches back to Aristotle. His point ...”