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“... did: ‘Wordless Functional Analysis’ ‘burst upon the world’ in 1957. These are the words of Christopher Wintle, in the Memorial Symposium on Keller in Music Analysis, and Wintle shrewdly remarks that ‘it was less the matter than the wordless manner of FA that excited greatest musical interest.’ I must confess ...”

“... as ‘Criticism’, and followed by another 13 called ‘Towards a Theory of Music’. These are Christopher Wintle’s categories, and his Preface remarks ‘a continuity’ within Keller’s thought: ‘the concerns of one essay often lead into those of the next.’ This is certainly true but turns out to be an ambiguous advantage. Keller’s ...”

“... us believe that the sentimentalities of A.A. Milne, so greatly in evidence throughout the Pooh and Christopher Robin saga, are never very far removed in spirit from an adult mockery of the whole business of childhood. Milne, he says, is simultaneously sentimentalist and scoffer, and his own undercover approach makes parodies of his style redundant. (Parodists ...”