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“... of late Miller (or, more accurately, last two-thirds Miller) is provided by the British critic Christopher Bigsby. For Bigsby, Miller has ‘quite consciously experimented with form’, not just in the later plays but throughout his career. Writing about The Archbishop’s Ceiling of 1977 (in which a group of East ...”

“... for years to come, while his plays began to establish social conscience at the level of style. Christopher Bigbsy, the author of this new biography, has a perfect ear for the manners and motions of Miller’s art, and he tells a gripping story of Miller’s hunt for truth. There are mysteries to bear and ironies to become invested in – all good ...”

“... his attack on the ‘vast apparatus of Opinion’ more specific, criticising Malcolm Bradbury and Christopher Bigsby for presenting Margaret Drabble and John Le Carré as ‘most important writers’. He goes on to reproach the same critics for appealing to a ‘supposed consensus’ and for the use of the phrase ‘our time’, which Hill glosses as ...”

“... year that one begins to feel he has undermined Bellow’s claim to his own royalties. C.W.E. Bigsby also sounds mechanical when he quarrels with Christopher Lasch over narcissism: ought it to be diagnosed as the vice of the Seventies, since Joe Orton’s work proves that it was endemic in the Sixties? Here literature ...”