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“... For​ medievalists, the bodily turn has had a profound impact not just on the histories of medicine and sexuality, as one would expect, but also on those of art, religion and ideas. Thirty-five years or so after the body emerged as a newly problematic category, an entity with a tangled history or a rebellious subaltern that had finally found its voice, ‘medieval bodies’ have become such a rich field of inquiry that Jack Hartnell can use them to ground a History of Everything for the common reader: ‘life, death and art in the Middle Ages ...”

“... Every age​ creates its own Chaucer. For Eustache Deschamps, a contemporary, he was the ‘grant translateur’. For Hoccleve, a disciple, he was ‘my deere maistir’ and ‘the firste fyndere [inventive poet] of our fair langage’. The 15th century revered him for his eloquence, while the 20th century gave us many Chaucers: genial naif, apostle of courtly love, austere Augustinian moralist, sycophantic courtier, ironist and, not least, duelling misogynist and feminist versions ...”

“... In​ one of the most poignant moments of Dante’s Commedia, the exiled poet anticipates his triumphant return to Florence:Should it ever come to pass that this sacred poem,to which both Heaven and Earth have set their hand …should overcome the cruelty that locks me outof the fair sheepfold where I slept as a lamb …then …shall I return a poet and, at the fontwhere I was baptised, take the laurel crown ...”

“... and not only because she appears, with perhaps feigned humility, as a mere ‘creature’. As Barbara Newman shows in her brilliant new book, medieval Christians understood themselves to be interconnected to an extent that would surprise many people today, at least in Western cultures. Their minds and hearts were legible to other people as well as to ...”

“... of life. She took considerable care about her own appearance but like most of the writers Terry Newman discusses in Legendary Authors and the Clothes They Wore (HarperCollins, £20), she was not interested in fashion per se. Her friend Madge Garland, who edited Vogue and later gave her advice on clothes, was astonished when she met Woolf for the first time ...”

“... and monsters it’s quite impossible that I ever saw. ‘All lazy writing about Doctor Who,’ Kim Newman writes in his ‘critical reading’ of what he calls ‘the franchise’, ‘trades on the stereotypes of children watching “from behind the sofa”’ – exactly what I remember doing, though in our house we called it the settee. So do I really ...”

“... frantically, sending out poem after poem, keeping critical projects on T.S. Eliot, Cardinal Newman and possibly the Book of Job all bubbling on the back-burner at the same time. Spark then became anorexic, using dexedrine as a substitute for regular meals. Her breakdown when it came appeared as a visitation from Eliot, whose poetry, Spark convinced ...”

“... a Colin, a Sheila, a Benjamin, a Paul and a Lois Trotter, a Bill; an Irene and Doug Anderton; Barbara, Sam and Philip Chase, Malcolm, Roy Slater, Sean Harding, Steve Richards, Culpepper, Cicely Boyd, Donald, Claire and Miriam Newman, and Mr Plumb. And these are only some of the speaking parts. To try to summarise the ...”

“... In the summer​ of 1934, after finishing her English degree at Oxford, Barbara Pym drafted a comic novel. Sending up her closest friends, she cast the arrogant fellow graduate she was in love with as a self-centred cleric, Archdeacon Hoccleve, given to complaining loudly about his wife and numbing his congregation with abstruse sermons ...”

“... Pepys does that, and Rousseau, and Chateaubriand, and Stendhal in La Vie de Henri Brulard, and Newman and Ruskin and Hardy – all the way down to Anthony Powell in his Memoirs and the just published diaries of Barbara Pym. Indeed this contribution to the state of the art by a humbler sister in the fiction business ...”

“... of Tracts for the Times in 1833, grew in fame along with its great polemicist John Henry Newman, was denounced for being a semi-covert form of Roman Catholicism, and then suffered a colossal scandal in 1845 when Newman became the highest profile convert to Catholicism in the history of England, thus confirming what ...”

“... and climb to a great atrium, 110 feet high, punctuated by the huge Broken Obelisk by Barnett Newman in the centre (it looks like a rusty exclamation point from God) and a panoramic Water Lilies by Monet on the wall opposite (unfortunately, it shrinks in this vast space). The second floor also contains the cavernous Contemporary Galleries, including a ...”

“... a figure of primarily biographical interest (‘the “life” without the “literature”’, as Barbara Everett put it), there was a weary familiarity to discussions of the relation between his work and his biography. Without capitulating to the sensationalism of the romance plot, Crawford demonstrates that the letters refresh our sense of Eliot because ...”