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“... greening of his bronzes by oxidation (especially near the sea). Talking to John Fowles in 1987, Andy Goldsworthy came out with this wonderfully relaxed notion: ‘Ten years ago I made a line of stones in Morecambe Bay. It is still there, buried under the sand, unseen. All my work still exists, in some form.’ That is of course true of all matter: dust ...”

“... on and off; his Gillian Wearing, a stuffed dog holding a placard saying ‘I’M DEAD’; and his Andy Goldsworthy, a photograph of some nicely coloured leaves, on one of which is written ‘one day a big wind will come and’. The cartoonist exaggerates for effect. Here, Shrigley suggests, are some rather simple effects for which exaggerated claims have ...”

“... the island’s export, curling stones; a rim of red sandstone from the Dumfriesshire quarry where Andy Goldsworthy got the stone for his Arch project; two muscular and horny stumps of yew from a limestone crag a mile from where I live; shingle from the beach on South Uist below the ruined home of the island’s finest poet, Catherine Macaulay, who was ...”

“... be ancient monuments. They’re actually part of an installation or a series of installations by Andy Goldsworthy, who put up a hundred or so similar folds as Cumbria’s Millennium Project. It was an expensive do, costing £500,000 or so, and involved shifting the boulders down from the fells with earthmovers besides building the folds that surround ...”