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Reduced to Ashes and Rubbage

Jessie Childs: Civil War Traumas, 3 January 2019

Battle-Scarred: Mortality, Medical Care and Military Welfare in the British Civil Wars 
edited by David Appleby and Andrew Hopper.
Manchester, 247 pp., £80, July 2018, 978 1 5261 2480 7
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... is a scholarly book, but it takes its name from an exhibition curated by Hopper and Gruber von Arni at the National Civil War Centre in Newark in 2016 and includes most of the papers presented at the centre’s inaugural conference. It is also a curtain-raiser for a very promising project undertaken by academics at the universities of ...

Many Andies

Andrew O’Hagan, 16 October 1997

Shoes, Shoes, Shoes 
by Andy Warhol.
Bulfinch Press, 35 pp., $10.95, May 1997, 0 8212 2319 4
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Style, Style, Style 
by Andy Warhol.
Bulfinch Press, 30 pp., $10.95, May 1997, 0 8212 2320 8
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Who is Andy Warhol? 
edited by Colin MacCabe, Mark Francis and Peter Wollen.
BFI, 162 pp., £40, May 1997, 9780851705880
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All Tomorrow’s Parties: Billy Name’s Photographs of Andy Warhol’s Factory 
by Billy Name.
frieze, 144 pp., £19.95, April 1997, 0 9527414 1 5
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The Last Party: Studio 54, Disco and the Culture of the Night 
by Anthony Haden-Guest.
Morrow, 404 pp., $25, April 1996, 9780688141516
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... the source of all his imaginary friendships – with Errol Flynn and Louella Parsons, Hedda Hopper and Gary Cooper – and the only thing he craved in those Pittsburgh days was the chance to be as lovable as Shirley Temple. The adult Warhol looked as much like death and lived as much by desire. A mobile presentation of 20th-century estrangement. A man ...

Not a desire to have him, but to be like him

Slavoj Žižek: Highsmith is the One, 21 August 2003

Beautiful Shadow: A Life of Patricia Highsmith 
by Andrew Wilson.
Bloomsbury, 534 pp., £25, June 2003, 0 7475 6314 4
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... held for Gilles Deleuze (a ‘Christ among philosophers’). I learned a lot about her from Andrew Wilson’s biography, a book which strikes the right balance between empathy and critical distance. Wilson’s interpretations of her work, however, are often vapid. Can one really take seriously remarks such as: ‘Highsmith’s fiction, like Bacon’s ...

I want my wings

Andrew O’Hagan: The Last Tycoons, 3 March 2016

West of Eden: An American Place 
by Jean Stein.
Cape, 334 pp., £20, February 2016, 978 0 224 10246 9
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... butlers and the chauffeurs, the studio wives, the bit-part players, to the Arthur Miller, Dennis Hopper and Gore Vidal part of the universe, and none of them lets her down, or lets her off. It is a wild compendium of stories about what it is to be a child in a world of childish adults, and her book feels political, a meditation on the moral consequences of ...

At the Whitechapel

Peter Campbell: Alice Neel, 19 August 2010

... are nearly 70 oils by Alice Neel, mainly portraits. There is also a very good film by her grandson Andrew Neel about her work and about the Neel family. It includes photographs and clips in which she looks like the model for a Norman Rockwell grandmother: grey hair pulled back, plump, smiling, wearing glasses, and pretty. To a degree she was all that that ...

Thunder in the Mountains

J. Hoberman: Orson Welles, 6 September 2007

Orson Welles: Hello Americans 
by Simon Callow.
Vintage, 507 pp., £8.99, May 2007, 978 0 09 946261 3
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What Ever Happened to Orson Welles? A Portrait of an Independent Career 
by Joseph McBride.
Kentucky, 344 pp., $29.95, October 2006, 0 8131 2410 7
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... longer needed to modify Welles’s ‘genius’: Citizen Kane changed the course of film and, as Andrew Sarris put it, infected American cinema with the ‘virus of artistic aspiration’. Not only a brilliant, innovative picture, it dramatised – in a way no previous movie had done – the act of film-making itself. And then, after the studio butchering of ...

The Tower

Andrew O’Hagan, 7 June 2018

... and people were making their way home and Sepehr bounced down the new garden on a yellow space-hopper and he smiled for the whole world. When I went to see the tower for the last time the street was quiet and a full moon was behind the building. On the top floors, the empty windows were full of light, as if the people were home again.the endFilm ...

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