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The Last Eleven

Robert Melville

15 July 1982
... When AdrianStokes introduced Melanie Klein’s psychoanalytic researches into his appreciation of painting the results were sometimes so astonishing that I bought one of her books on child analysis. It was very, very ...

Into the Southern Playground

Julian Bell: The Suspect Adrian Stokes

21 August 2003
'The Quattro Cento’ and ‘Stones of Rimini’ 
by Adrian Stokes.
Ashgate, 668 pp., £16.99, August 2002, 0 7546 3320 9
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Art and Its Discontents 
by Richard Read.
Ashgate, 260 pp., £35, December 2002, 0 7546 0796 8
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... AdrianStokes’s Stones of Rimini is an extended obeisance performed by a young Englishman before some marble panels in an Italian church. The panels were carved in the 1450s, mostly by a Florentine called ...

At Kettle’s Yard

Eleanor Birne: Ben and Winifred Nicholson

16 April 2014
... again.’ Ben became Wallis’s champion – talking him up in the usual Nicholson way – and his unofficial dealer, showing his work to all his friends in London: Barbara Hepworth, Herbert Read, AdrianStokes and Jim Ede all became supporters. How much he affected Ben’s work is clear from the Kettle’s Yard show. For his part, Wallis went on painting as he always had, despite his new celebrity ...


Denis Donoghue

2 February 1984
Towards 2000 
by Raymond Williams.
Chatto, 273 pp., £9.95, October 1983, 9780701126858
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Writing in Society 
by Raymond Williams.
Verso, 268 pp., £18.50, December 1983, 0 86091 072 5
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Radical Earnestness: English Social Theory 1880-1980 
by Fred Inglis.
Martin Robertson, 253 pp., £15, November 1982, 0 85520 328 5
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... or pluralist theories of political life’. The writers Inglis presents under this rubric are William Morris, T.H. Green, John Maynard Keynes, R.G. Collingwood, F.R. Leavis, George Orwell, AdrianStokes, Tony Crosland – as he calls him – Richard Titmuss, Richard Hoggart, Raymond Williams, John Berger, E.P. Thompson and Isaiah Berlin. If you need a stereotype of the English socialist, you may as ...

Not His Type

Frank Kermode

5 September 1996
About Modern Art: Critical Essays 1948-96 
by David Sylvester.
Chatto, 448 pp., £25, June 1996, 0 7011 6268 6
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... a print by Barnett Newman, he remarks in a parenthesis, ‘I’m no Modernist by persuasion: Michelangelo and Poussin are my cup of tea.’ This may be a joke. He does cite with approval a remark of AdrianStokes to the effect that ‘modern art, the art typical of our day, is the slang, so to speak, of art as a whole, standing in relation to the Old Masters as does slang to ordinary language ...
21 February 1991
Writer’s Block 
by Zachary Leader.
Johns Hopkins, 325 pp., £19.50, January 1991, 0 8018 4032 5
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... a confusion, arising from that lack of facilitation, between the original and the borrowed. This led him into plagiarism. Winnicott knew about that and also about other relevant matters; so did AdrianStokes, who had the additional qualification of being an artist himself, and it is mostly from these writers that Leader derives an object-relations aesthetic which, in a diagnostic mode, can explain ...

French Air

John Sutherland

12 November 1987
The Foul and the Fragrant: Odour and the French Social Imagination 
by Alain Corbin, translated by Miriam Kochan.
Berg, 307 pp., £18, November 1986, 0 907582 47 8
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Perfume: The Story of a Murderer 
by Patrick Süskind, translated by John Woods.
Penguin, 263 pp., £3.95, September 1987, 0 14 009244 7
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The Double Bass 
by Patrick Süskind, translated by Michael Hofmann.
Hamish Hamilton, 57 pp., £8.95, September 1987, 9780241120392
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... the words are missing: expertise with the nose is suppressed by social conventions which stigmatise any strong smell as a bad smell. In one of the few investigations of the subject before Corbin’s, AdrianStokes noted that unlike the other four senses, that of scent had not inspired any art, or aesthetic cultivation. (I think Stokes may have overlooked the use of the nose in wine-bibbing.) There is no ...

Imperfect Knight

Gabriel Josipovici

17 April 1980
Chaucer’s Knight: Portrait of a Medieval Mercenary 
by Terry Jones.
Weidenfeld, 319 pp., £8.95, January 1980, 0 297 77566 9
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Chaucer, Langland and the Creative Imagination 
by David Aers.
Routledge, 236 pp., £9.75, January 1980, 9780710003515
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The Golden Age: Manuscript Painting at the Time of Jean, Duc de Berry 
by Marcel Thomas.
Chatto, 120 pp., £12.50, January 1980, 0 7011 2471 7
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... art, but of our deepest memories’. Proust reminds us that there is an alternative to the German art-historical tradition. It is the tradition of Ruskin, of Proust himself, of Benjamin on aura, of AdrianStokes, of Lawrence Gowing on Vermeer. Its patient exploration of the phenomenology of perception, rather than the brilliant and erudite iconographic work of Panofsky and his disciples, can best help ...
7 November 1985
Monuments and Maidens: The Allegory of the Female Form 
by Marina Warner.
Weidenfeld, 417 pp., £16.95, October 1985, 0 297 78408 0
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... in a slightly absurd position, from which, however, both her scholarship and her sense of humour enable her to emerge triumphantly. She can at times sound a bit glib and didactic, quoting from AdrianStokes and Hélène Cixous, and endorsing the concept of What it Means to be a Whole Person: ‘Surrounded as we are by the contemporary record of damage to the bodies that are the vessels of human ...
3 July 1986
Melanie Klein: Her World and her Work 
by Phyllis Grosskurth.
Hodder, 516 pp., £19.95, June 1986, 0 340 25751 2
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Bloomsbury/Freud: The Letters of James and Alix Strachey 1924-1925 
edited by Perry Meisel and Walter Kendrick.
Chatto, 360 pp., £14.95, February 1986, 0 7011 3051 2
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... her within the wider history of ideas, either in terms of influences upon her or of her influences elsewhere. Mention is made of Elliot Jaques, who carried Kleinian concepts into sociology, and of AdrianStokes, who developed a full Kleinian theory of aesthetics, but the importance of neither is properly assessed. The significance of Kleinian aesthetics has been seriously and powerfully argued, by ...
23 May 1985
Pound’s Cantos 
by Peter Makin.
Allen and Unwin, 349 pp., £20, March 1985, 0 04 811001 9
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To Write Paradise: Style and Error in Pound’s Cantos 
by Christine Froula.
Yale, 208 pp., £18.50, February 1985, 0 300 02512 2
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Ezra Pound: Politics, Economics and Writing 
by Peter Nicholls.
Macmillan, 263 pp., £25, September 1984, 0 333 36159 8
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... Althusser, Barthes, Benjamin, Derrida, Eagleton (Terry), Foucault, Gramsci, Lukacs (and yes, in case you wondered, Davie); but it has no entries for Ford (F.M.), Gaudier-Brzeska, Hulme (T.E.), Ovid, AdrianStokes, Yeats. Some of this is not easily excusable: it is timely to point out where the young Pound was in debt to Pater, but not without considering Yeats as possible intermediary; and it is ...

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