“... as John Quincy Adams described it in 1823. In imitation of British freelance imperialists such as James Brooke, the ‘white rajah’ who ruled the state of Sarawak on Borneo as a private fiefdom in the mid-19th century, America produced its own brand of freebooters, including William Walker, the Tennessee doctor who ...”

“... from 1951, features Margaret Lockwood (best known for playing feisty period heroines opposite James Mason, who himself did Desert Island Discs in 1961 and 1981) sounding as if she’s narrating a public information film: the Eton boating song ‘conjures up for me a very pleasant English scene’.When the BBC switched to recording on tape, which could be ...”

“... woman, Florence Barger, as confidante. All this is fair enough; Forster, when he agreed first that William Plomer and then P.N. Furbank should write his biography, did not ask that matters of this kind should escape discussion. He lived the greater part of his life under a hated law that banned and might brutally punish his kind of sexuality; it long blighted ...”

“... gave a reading at the Keynote Club in Manhattan. Kallman and another Brooklyn student, Walter James Miller, were in the audience, with Kallman sitting in the front row giving the two international pederasts the glad eye. Afterwards he and Miller went backstage. Miller was tall, blond, Anglo-Saxon and (a friend who was not a ...”

“... reinscribes the theory. When Terry Eagleton, for instance, in his erratic and self-regarding William Shakespeare,† declares that ‘from a phallocentric viewpoint a woman appears to have nothing between her legs,’ and sets up his account of the great tragedies by stressing man’s ‘unconscious thoughts of his own possible castration’ – so that ...”

“... Rex v. Edmonds and ensuing appeal (1820, 1821), and to several Chartist cases in 1848. Father James O’Coigly, a Catholic priest, was a United Irishman who, sometimes disguised as ‘Captain Jones’ was travelling in England in the year of the Irish rebellion, as courier to the ‘Jacobin’ underground. With Arthur O’Connor and others, he was ...”

“... Stead seems to have been misremembering or paraphrasing a line of Virginia Woolf’s about Henry James) grew out of D.T. Max’s post-mortem profile of Wallace for the New Yorker, and is very much the version of his life as seen from Times Square. ‘Every story has a beginning and this is David Wallace’s’ is Max’s first sentence. It’s a funny way to ...”

“... 1940s – may begin by telling you the names of ‘the great English novelists’ (Austen, Eliot, James, Conrad), but the opening chapter then takes us through the failings of those who came before them. Defoe ‘matters little as an influence’. Fielding existed to make Austen possible, but if you feel her ‘distinction’ you will also feel that ‘life ...”

“... shifting sensibilities. His verbal brocade and fairy-tale diction were always an acquired taste; James Dickey called him ‘one of the most unpityingly pretentious poets I have ever come across’. But these days the kind of poetry he wrote – extravagant in ambition, mantic in mood, unironic in the extreme – is about as popular as trade unions and Cuban ...”

“... women who had escaped from their owners in London, only to be recaptured, came to public attention.James Somerset, who had been brought to England from Virginia by his owner, Charles Stewart, and managed to escape and live freely for a brief period, became the subject of a test case in 1772. Was the ownership of people legal in the ‘mother ...”

“... of the process of writing, she’s building a canvas as well as she is putting on the paint,’ James Taylor, another conquest, explained. ‘It’s never straight on.’ Mitchell’s lyrical indirection, the habit of thinking against conventional tropes, is an extension of what she calls her ‘perverse need for originality’, a manifestation of a ...”

“... The problem is not that Babel Tower or A Whistling Woman ‘smells of the lamp’, as Henry James famously complained of Eliot’s historical scholarship in Romola, but that the proliferation of vocabularies and allusions – not to mention the sheer number of characters, many of them introduced in previous volumes – sometimes threatens to bury the ...”

“... Aguirre, Wrath of God (1972), which in its imagining of extremity is not as far from Eliot and Sir James Frazer as you might think. Eliot’s ‘The Hollow Men’ has an epigraph from Conrad (‘Mistah Kurtz – he dead’) and in the film Kurtz, not yet dead, reads from the poem. In the uncut version of the film, Peter Cowie tells us, Brando reads the whole ...”

“... and obliged to accept whatever terms his employer thinks fit to impose’. Similarly, the engineer William Fairbairn saw that the division of labour in the factory meant that ‘the designing and direction of the work passed away from the hands of the workman into those of the master and his office assistants.’ Berg moves adroitly between the formal ...”

“... Landor from Lyttelton; nor really about Ibsen either, though Lyttelton is prepared to like Henry James (more when older than as a young man), and wholly accepts the poetry of Hart-Davis’s personal friend, Edmund Blunden. Hart-Davis thinks Maugham ‘the most over-praised GOM since Bridges’, but, while not denying Lyttelton’s suspicion that Maugham was ...”