“... 1940s – may begin by telling you the names of ‘the great English novelists’ (Austen, Eliot, James, Conrad), but the opening chapter then takes us through the failings of those who came before them. Defoe ‘matters little as an influence’. Fielding existed to make Austen possible, but if you feel her ‘distinction’ you will also feel that ‘life ...”

“... shifting sensibilities. His verbal brocade and fairy-tale diction were always an acquired taste; James Dickey called him ‘one of the most unpityingly pretentious poets I have ever come across’. But these days the kind of poetry he wrote – extravagant in ambition, mantic in mood, unironic in the extreme – is about as popular as trade unions and Cuban ...”

“... women who had escaped from their owners in London, only to be recaptured, came to public attention.James Somerset, who had been brought to England from Virginia by his owner, Charles Stewart, and managed to escape and live freely for a brief period, became the subject of a test case in 1772. Was the ownership of people legal in the ‘mother ...”

“... of the process of writing, she’s building a canvas as well as she is putting on the paint,’ James Taylor, another conquest, explained. ‘It’s never straight on.’ Mitchell’s lyrical indirection, the habit of thinking against conventional tropes, is an extension of what she calls her ‘perverse need for originality’, a manifestation of a ...”

“... The problem is not that Babel Tower or A Whistling Woman ‘smells of the lamp’, as Henry James famously complained of Eliot’s historical scholarship in Romola, but that the proliferation of vocabularies and allusions – not to mention the sheer number of characters, many of them introduced in previous volumes – sometimes threatens to bury the ...”

“... Aguirre, Wrath of God (1972), which in its imagining of extremity is not as far from Eliot and Sir James Frazer as you might think. Eliot’s ‘The Hollow Men’ has an epigraph from Conrad (‘Mistah Kurtz – he dead’) and in the film Kurtz, not yet dead, reads from the poem. In the uncut version of the film, Peter Cowie tells us, Brando reads the whole ...”

“... and obliged to accept whatever terms his employer thinks fit to impose’. Similarly, the engineer William Fairbairn saw that the division of labour in the factory meant that ‘the designing and direction of the work passed away from the hands of the workman into those of the master and his office assistants.’ Berg moves adroitly between the formal ...”

“... Landor from Lyttelton; nor really about Ibsen either, though Lyttelton is prepared to like Henry James (more when older than as a young man), and wholly accepts the poetry of Hart-Davis’s personal friend, Edmund Blunden. Hart-Davis thinks Maugham ‘the most over-praised GOM since Bridges’, but, while not denying Lyttelton’s suspicion that Maugham was ...”

“... Hardly any good poems came out of the conflict in Vietnam and most of those were written by James Fenton, a poet alert to the eerie surrealism of war. What happens when the war is banished from the front page and into the history books? Pound said, in the ABC of Reading, that ‘literature is news that STAYS news.’ Eliot, on the other hand, was less ...”

“... being wrong. Some of them Gould himself puts right. Take the case of the late-18th-century thinker James Hutton, whose Theory of the Earth was a milestone in the emergence of modern geology because of the systematic manner in which he interpreted earth history in terms of causes which could be seen to be acting in the present. Cyclic processes of ...”

“... pale Hawksmoor is an inhabitant of the present day who reminds one not only of Dyer but of P.D. James’s recurrent character Inspector Dalgliesh – one of her novels, A Taste for Death, published the following year, has a church murder in London, draped in the poses of this sensitive, cultivated policeman, and it also has, like Hawksmoor, a suspected ...”

“... of the postbellum Soviet treatment of Germans in the eastern territories, voiced again recently in James Bacque’s Crimes and Mercies. How high the seas of humbug swell. Like Madagascar, the ‘Frankfurt’ School – at least in its first incarnation – was a toponymic anomaly. Marcuse barely had time to check out of the luggage reclaim in Frankfurt after ...”

“... six minors were jointly convicted of second-degree murder. Two years later, a vigilante called William Masters II shot a pair of unarmed graffiti painters, one of whom died. ‘Outraged Latino community leaders demanded Masters’s indictment for manslaughter,’ Davis reports, but the District Attorney let him go and arrested the other graffiti painter ...”

“... of the sentences seem tackier than it would in a Chandler story. Somewhere in the background is James M. Cain, the author of the novel on which the film is based. And the actual writer here, the one who finally approved the words even if he didn’t compose them, is Billy Wilder, the director of the film, and co-author of the script. ‘He was a ...”

“... There was a strong documentary element in much late Modernist American writing, and epics such as William Carlos Williams’s Paterson or Charles Olson’s Maximus Poems (set in Gloucester, Massachusetts) are in essence enormous collages that attempt to capture the spirit of a place by combining memoirs, histories, town records, overheard scraps of ...”