Plumping

J.I.M. Stewart, 19 March 1981

Abroad: British Literary Travelling Between the Wars 
by Paul Fussell.
Oxford, 246 pp., £8.95, March 1981, 0 19 502767 1
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... Ulysses is to the novel between the wars and what The Waste Land is to poetry’, Robert Byron’s The Road to Oxiana ‘is to the travel book’. ‘To sketch the history of the British imaginative intercourse with the Mediterranean in modern times is virtually to present a survey of modern British literature.’ This last, at least, really ...

As time goes by

Brenda Maddox, 2 July 1981

Ingrid Bergman: My Story 
by Ingrid Bergman and Alan Burgess.
Joseph, 480 pp., £9.50, November 1980, 0 7181 1946 0
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... of her recent battle with cancer. Was she having an affair, pre-Rossellini, with the photographer Robert Capa? (Her co-author describes their love as ‘an association that left them both worried slightly’.) Where did all that Hollywood money go? Rossellini wondered, when she came to Italy, why she had no jewels or furs or other sign of her big-earning ...

Chronicities

Christopher Ricks, 21 November 1985

Gentlemen in England 
by A.N. Wilson.
Hamish Hamilton, 311 pp., £9.95, September 1985, 0 02 411165 1
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... is stringent as situation and acquiescent as plot. Elizabeth Barrett pinpointed the malaise which Robert Browning probed: ‘When a man spins evermore on his own axis, like a child’s toy I saw the other day ... what is the use of him but to make a noise?’ And when a man like Horace Nettleship or a gentleman (perhaps) like Waldo Chatterway spins evermore ...

Melton Constable

W.R. Mead, 22 May 1986

The past is a foreign country 
by David Lowenthal.
Cambridge, 489 pp., £27.50, November 1985, 0 521 22415 2
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... a minority has always spurned the past. The past intimidates, threatens and diminishes us. For Robert Browning’s ‘Paracelsus’, it was written on a ‘sullen page’. The past is regarded as a brake on progress, paralysing creative energy. It is invested with determinative force. It undermines self-confidence – for George Gilbert Scott it doomed ...

At the Movies

Michael Wood: ‘The Da Vinci Code’, 8 June 2006

The Da Vinci Code 
directed by Ron Howard.
May 2006
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... before the case came up. Perhaps the two authors were suing for intertextuality. In the novel, Robert Langdon, the Harvard scholar played by Tom Hanks in the movie, has a fine nonsensical riff on the presence of Mary Magdalene and ‘the subjugated goddess’ in modern popular culture, and what we might call the Walt Disney code (‘Like Leonardo, Walt ...

At MoMA

Hal Foster: Sigmar Polke, 19 June 2014

... the time. Today the two are bound together art-historically in a way that recalls the pairing of Robert Rauschenberg and Jasper Johns, with Polke, like Rauschenberg, cast as the restless experimenter – the vast retrospective includes about three hundred works executed in all sorts of materials and media – and Richter, like Johns, as his restrained ...

At the Movies

Michael Wood: At the Morelia Festival, 3 November 2011

... the shape of Jane Greer, may also really care for the man she is framing and using, a very young Robert Mitchum. This complexity is not going to do her any good, because both the plot and Mitchum believe in the simpler story of her murderous guile. But we are left wondering if there isn’t some sort of baffled innocence lurking in her evildoings. The ...

Short Cuts

James Meek: Anglospheroids, 21 March 2013

... anyone wants to remember this now – George W. Bush inheriting the mantle of Winston Churchill. Robert Conquest, presenting a relatively sophisticated, unmilitaristic and tolerant version of the Anglosphere (it included Nigeria and India) in Reflections on a Ravaged Century contrasted ‘the European political tradition’ with what he called the ‘law and ...

At the V&A

Marina Warner: ‘Hollywood Costume’, 20 December 2012

... are mingling, too, with many who are long dead. Ronald Reagan and Meryl Streep, Bette Davis and Robert De Niro jostle closely together in several large spaces, chambers for different sins in the afterlife – for vamping, sharp-shooting, taxi-driving – while a flickering crowd comes and goes in an endless loop on screens and monitors. The stars have been ...

At the Royal Academy

Peter Campbell: Hungarian Photography, 28 July 2011

... by them that are on display here. For example, Brassaï’s Bijou of Montparnasse (1932), Robert Capa’s Death of a Loyalist Militiaman (1936), Kertész’s Satiric Dancer (1926), László Moholy-Nagy’s Berlin Radio Tower (1928) all have their place in a tally of the 20th century’s most memorable images. The last of the five, Martin ...

At the Movies

Michael Wood: ‘Miles Ahead’, 19 May 2016

Miles Ahead 
directed by Don Cheadle.
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... I didn’t hold it against him personally, although I was mad at the people who picked him.’ In Robert Budreau’s film Born to be Blue, Baker plays at about this time to an audience that includes Davis and Gillespie. Gillespie is friendly, Davis is patronising. The playing was sweet, he says, ‘like candy’. He advises Baker to come back when he has ...

At the Movies

Michael Wood: The gangster movie, 13 December 2007

American Gangster 
directed by Ridley Scott.
November 2007
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... any director with two expensive stars on his hands. Remember Michael Mann’s thriller Heat, where Robert de Niro and Al Pacino get together for a totally inconsequential conversation just so we can see them together before they return to their posts on opposite sides of the law. The stars have to share serious screen time, even if the plot stagnates for a ...

Paris, 18 October

Alexander Zevin: The New ’68ers, 29 November 2007

... as it turns out, is illegal for public employees in New York State), the union leader, Robert Toussaint, was sent to jail and otherwise ‘progressive’ residents spat venom at their train conductors, platform sweepers and track-layers for daring to walk off the job. During the strike I stayed overnight at a friend’s house because commuting from ...

At Tate Britain

Peter Campbell: How We Are, 5 July 2007

... Michals’s collage portrait of the Sterling Black and Whiters – Ansel Adams, Sally Mann, Robert Frank, Salgado and so on – shows us which reputations were overshadowed by the new high-art photography. At the Tate there are photographs from both camps. One odd effect of the high art/common craft division is that while magazines and newspapers are ...

Shoy-Hoys

Paul Foot: The not-so-great Reform Act, 6 May 2004

Reform! The Fight for the 1832 Reform Act 
by Edward Pearce.
Cape, 343 pp., £20, November 2003, 0 224 06199 2
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... John Croker, for whom the rotten boroughs were the essence of freedom and prosperity; Sir Robert Inglis, who proclaimed that ‘this House would not be bound by the cries of a majority of the people’, and Lord Lyndhurst, who is described by Pearce as a ‘gladiator’. Much more appetising is the contempt in which Cobbett held the Whig reformers. In ...