“... I have never read a life like John Fuegi’s of Brecht. Revisionism doesn’t begin to describe it. This is dartboard stuff, effigy abuse, voodoo biography. If Fuegi could get inside the Dorotheenfriedhof, uproot Brecht’s jagged scalene headstone, dig through six feet of Brandenburg sand and a zinc coffin, and do something to the remains involving chicken heads, inverted crosses and black candles, I don’t doubt that he would ...”

“... natural-history keeper staged annual cremations of Sloane’s decaying entomological specimens. John Cannon, an eminent plant taxonomist, reveals that after contemplating Sloane’s herbarium ‘one is left with a slight nagging feeling of anti-climax’ because the collector had the misfortune to live just before taxonomy became a proper science with ...”

“... of public opinion. The Presidential election of 1800, in which Jefferson trounced the incumbent John Adams, witnessed an outpouring of newspaper and pamphlet comment directed against his religious indifferentism. Could he be so sure that an atheist would neither pick his pocket nor break his leg? Soon after his death, a fellow Virginian, ‘Black Horse ...”

“... from our heads/But when we first agreed to put them on’). As well as translating War Primer, John Willett, co-editor of the new Collected Works, has revised his volume of essays, Brecht in Context. Although hostile to John Fuegi’s argument, set out in The Life and Lies of Bertolt Brecht (1994), that Brecht’s ...”

“... art in general, resurface querulously in the critical rhetoric of turn-of-millennium Euro-England. John McEwen’s phrase about the ‘fickle pursuit of French fashion’ catches one end of the tone. Adrian Searle’s dismay at Bloomsbury’s ‘domesticated’ and ‘palatable’ dilutions of European Modernism catches the other, hinting at the particular ...”

“... John Fothergill, the high-handed host of the Spreadeagle at Thame between the world wars, described himself in Who’s Who as ‘Pioneer Amateur Innkeeper’. Evelyn Waugh, sending him a copy of Decline and Fall, inscribed it to ‘Oxford’s only civilising influence’. To those who, in 1931, goggled and giggled at his innkeeping confessions, Fothergill was the contumacious dandy for ever locked in combat with ‘clients’ who fell short of his standards, a man prepared to track down and rebuke a brigadier-general who, with his wife, dropped in to the Spreadeagle to use the lavatory without a please or thank you ...”

“... detail, of diaries or intimate correspondence. There is no easy opportunity of the kind offered by John Evelyn or Samuel Pepys, his contemporaries, to explore details of Wren’s domestic affairs or private reflections. Tinniswood’s Wren is a thoroughly public figure: Tory MP, wealthy knight and brilliant don, agile at winning backing from hostile ...”

“... of characters throughout his career. But to claim that Shaw is both the central characters in John Bull’s Other Island, and three of the major figures in Heartbreak House, is to stretch the notion of the factual original beyond snapping point. Further, the autobiographical model obscures other particularities of the Shavian dramatis personae. There ...”

“... One of John Cheever’s most famous stories is called ‘The Swimmer’. It is set, like much of his fiction, in the lawned suburbs somewhere outside New York City, and it is filled, like most of his fiction, with despair. The hero, Neddy Merrill, the father of four daughters, is sitting by a neighbour’s pool drinking gin when the idea comes to him that he might reach home by doing a lap of all of his neighbours’ pools on the way ...”

“... came in 1957 after the majority of communism’s finest intellects, headed by Edward Thompson and John Saville, quit the Communist Party following the Soviet invasion of Hungary. As the exhibition’s curator, the historian Mike Berlin, explains in the catalogue, the venture ‘deserves to be celebrated. The Partisan embodied a radical tradition that had a ...”

“... than those who wore red lipstick and scarlet nail polish?Born Yevonde Philone Cumbers in 1893 (John Galliano boasted ‘she came from Streatham, just like me’), she always went by the single name, as if she were a long-lost tribe. From the start, she moved purposefully: in 1914 she cut short an apprenticeship to a portrait photographer from whom she had ...”

“... Marxists have discovered, is pride in knowing your place and respecting your superiors. John Osborne’s autobiography A Better Class of Person (1981) is a sustained assault on that attitude in general and his mother in particular. It is no accident that, as Taylor quotes John Vincent saying, Margaret Thatcher was ...”

“... seen the book before. On their journey back to the city, these effects multiply. Jake mentions John Cassavetes’s film A Woman under the Influence, and Lucy subjects it to a devastating critical attack, more like a movie review than a comment. That’s because it is a movie review, or a long extract from one, written for the New Yorker in 1974 by Pauline ...”

“... victory.’ The argument strikes one as considerably less silly when removed to the context of John McGahern’s fiction. One may never know why the narrator of McGahern’s new novel chooses to write pornography for a Dublin magazine – one may never quite believe that such a decent sad fellow would so choose – but, such is the prevalent gloom, one is ...”

“... In 1845 Captain Sir John Franklin led 128 men in search of the final stretch of the Northwest Passage. When they failed to return from their expedition, a number of relief parties were sent out to find them. Over the next decade, naval commanders, traders and amateur sleuths collected objects and relics from the area: signs of what may have become of the lost men ...”