Decrepit Lit

Lorna Scott Fox: David Lodge, 8 May 2008

Deaf Sentence 
by David Lodge.
Harvill Secker, 294 pp., £17.99, May 2008, 978 1 84655 167 3
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... an irritable “What? What?” in reply.’ Lodge has set himself a difficult task with this self-portrait of an ordinary man who’s past his prime. In his earlier novels, he personified types or ideas and let the different subjectivities fight it out, with a bit of cheerful tweaking from him. Here, by contrast, he confines himself to one, unrelativised ...

Ten Billion Letters

David Coward: Artilleur Pireaud writes home, 21 June 2007

Your Death Would Be Mine: Paul and Marie Pireaud in the Great War 
by Martha Hanna.
Harvard, 341 pp., £17.95, November 2006, 0 674 02318 8
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... of hunters and filled many domestic pots. Hanna picks up strongly on the couple’s growing self-confidence, which was shown in the way they coped with the altered circumstances of their lives. Paul was obviously better placed to widen his horizons through his close contact with men from other backgrounds and other parts of France. He learned how to ...

Perish the thought

John Redmond: Derek Mahon, 8 February 2001

Selected Poems 
by Derek Mahon.
Penguin, 213 pp., £9.99, November 2000, 0 14 118233 4
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... which the widening horizons of literature make possible, a desire for desire. Because of its self-reflexiveness, however, the true subject and feeling of his work is sometimes obscured. Most of the early writing about Mahon emphasised how glamorously well-travelled the poems were. Night-Crossing and Lives, his first collections, with their versions and ...

All Reputation

Hermione Lee: Eliza and Clara, 17 October 2002

The Pleasure of Eliza Lynch 
by Anne Enright.
Cape, 230 pp., £12.99, September 2002, 0 224 06269 7
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Clara 
by Janice Galloway.
Cape, 425 pp., £10.99, June 2002, 0 224 05049 4
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... half the length of the epic Clara, and a rich, flamboyant, mannered book, written with condensed, self-conscious stylishness, dazzling with images and sensations and violence, and daring you to resist it from its first outrageous sentence: ‘Francisco Solano López put his penis inside Eliza Lynch on a lovely spring day in Paris, in 1854.’ Clara is ...

Creases and Flecks

Laura Quinney: Mark Doty, 3 October 2002

Still Life with Oysters and Lemon 
by Mark Doty.
Beacon, 72 pp., $11, January 2002, 0 8070 6609 5
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Source 
by Mark Doty.
Cape, 69 pp., £8, April 2002, 9780224062282
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... refined. He is a spectator, reluctant to obtrude on the world he describes with any importunate self-concern. His ‘way of seeing’ is supposed to emerge through description; ‘the object infused with the subject’ will refract the speaker’s feeling. But when he looks on the things of the world, Doty has, for the most part, only one ...

A New Type of War

Michael Byers: Blair and Bush reach for an international law for crusaders and conquistadors, 6 May 2004

... authorised the action, had it been asked. Even in the absence of a UN resolution, the right of self-defence allows a country to make a necessary and proportionate response. The US suffered a devastating attack, Osama bin Laden claimed responsibility, the Taliban endorsed his acts and refused to surrender him. Only two countries opposed the ...

So Caucasian

Emily Wilson: ZZ Packer, 1 April 2004

Drinking Coffee Elsewhere 
by ZZ Packer.
Canongate, 238 pp., £9.99, February 2004, 1 84195 478 0
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... but in a painful, deeply embarrassing way. One of the white girls approaches Arnetta, ‘full of self-importance’, saying: ‘See, I’m a Brownie.’ The emotional impact is intense enough for the reader to accept what might seem a rather obvious lesson: white girls can be Brownies too. On the bus home, some of the Brownies try to hang onto their status ...

Snap Me

Peter Howarth: ‘A Theory of 20th-Century Poetry’, 6 October 2016

Poetic Artifice: A Theory of 20th-Century Poetry 
by Veronica Forrest-Thomson, edited by Gareth Farmer.
Shearsman, 238 pp., £16.95, April 2016, 978 1 84861 445 1
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... What Plath is really doing, she explains, is writing a poem in which phrases that look like self-descriptions (‘I/smile, cross-legged,/Enigmatical’) generate patterns of sound and form that ‘feed into’ new images. Plath notices she is constructing her poem in this way and inserts phrases like ‘shifting my clarities’ that let the reader know ...

I, too, am an artist

Linda Nochlin: Dora Maar, 4 January 2001

Dora Maar with and without Picasso: A Biography 
by Mary Ann Caws.
Thames and Hudson, 224 pp., £24.95, October 2000, 0 500 51009 1
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... of Castiglione, who obsessively posed for the photographer Pierson in a startling range of self-chosen costumes and attitudes. In an image reminiscent of Sherman’s Untitled Film Stills, Fini poses melodramatically in the shadowy recesses of a bed with her black-stockinged legs prominently on display; in another, she emerges confrontationally from a ...

Friends in High Places

Nora Goldschmidt: Lives of Maecenas, 18 July 2024

Rome’s Patron: The Lives and Afterlives of Maecenas 
by Emily Gowers.
Princeton, 463 pp., £38, February, 978 0 691 19314 4
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... sources follow their own varied agendas, from Seneca, who links Maecenas’ lack of stylistic self-control in his writings with his reputation for loose morals, to Martial and Juvenal, for whom he represents a lost, more privileged age.Philologists have diligently collected the fragments of Maecenas’ own work, but these are just as hard to be sure ...

Bring me the good scrub

Clare Bucknell: ‘Birnam Wood’, 4 May 2023

Birnam Wood 
by Eleanor Catton.
Granta, 423 pp., £20, March, 978 1 78378 425 7
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... a governing metaphor for omniscient narration. Plot becomes a tussle between individuals’ self-command and the planetary formations that determine essential facts about their nature: what look like deeply improbable, chance happenings – a bullet wound springing up out of nowhere on a ghostly figure’s chest; an illiterate woman suddenly being able ...

The Strangeness of Socrates

T.H. Irwin, 21 November 1991

Socrates, Ironist and Moral Philosopher 
by Gregory Vlastos.
Cambridge, 334 pp., £35, April 1991, 0 521 30733 3
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... of demonstrative argument. This mathematical model requires an argument to begin from certain self-evident principles and assumptions and to proceed by deductive arguments which transmit the certainty of the premises to the conclusions; Socratic cross-examination evidently cannot meet these standards. If Vlastos is right, Plato’s mathematical model for ...

You may not need to know this

John Bayley, 30 August 1990

A Wicked Irony: The Rhetoric of Lermontov’s ‘A Hero of Our Time’ 
by Andrew Barratt and A.D.P. Briggs.
Bristol Classical Press, 139 pp., £25, May 1989, 1 85399 020 5
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The Battle for Childhood: Creation of a Russian Myth 
by Andrew Baruch Wachtel.
Stanford, 262 pp., $32.50, May 1990, 0 8047 1795 8
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... not need to know this but I need to tell you – is merely the converse of the darkly enigmatic self-tormentor, with his one virtue and a thousand crimes. Good writers soon grasped that the best way to deal with this hero is to place him in the most equivocal dimension possible, by means of different narrators, or variously subtle forms of ...

Lucifer

John Dunn, 4 April 1991

Saint-Just 
by Norman Hampson.
Blackwell, 245 pp., £27.50, January 1991, 9780631162339
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... violently emotive to Saint-Just himself, and that he carried this meaning, with all his stunning self-assurance and self-righteousness, intact into the storm centre of Revolutionary politics. In ‘De la Nature’ Saint-Just took the theoretical framework of European natural law and contorted it to express his own hectic ...

Horrible Dead Years

Christopher Prendergast, 24 March 1994

Baudelaire 
by Joanna Richardson.
Murray, 602 pp., £30, March 1994, 0 7195 4813 6
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... the portraits left by Nadar, is in many ways a capital document for understanding the tormented, self-destructive trajectory of his ‘life’. Gaëtan Picon remarked that in the Nadar photograph of 1862 the 41-year-old Baudelaire looked as if he were a hundred (Baudelaire himself, in one of the ‘Spleen’ poems, made it a thousand). The face, above all ...