“... effective, it’s true, but not particularly clandestine either (the journalist and historian John Prebble’s experience was identical); and by June 1944 large parts of the Army had developed from an anti-Fascism more consciously deliberated than ever Churchill’s was, through a famous browned-offness, to something like specifically socialist war ...”

“... to consolidate his place in the history books as Britain’s greatest wartime Prime Minister since John Major, shipping our boys out to the Gulf, boots or no boots, his rhetoric at least is wearing steel toe caps. ‘We are going to be in the front line of this whatever happens,’ he told the Commons Liaison Committee, meaning not, as you might think, that ...”

“... Maybe it’s just me​, but the publication of John Updike’s selected letters, masterfully assembled and presented by James Schiff, doesn’t appear to have been the parade event that might have been expected. The reviews have been largely laudatory, marbled with tribute to Updike’s impeccable filigree, effortless versatility, unfaltering application and sleek plumage, but I don’t get the sense that the accolades have resonated beyond the baby boomer contingent of Updikeans who matured with the Rabbit Angstrom novels and counted on the continuing nourishment of his presence in the New Yorker ...”

“... human context, in the midst of a like-minded radical intelligentsia: William Frend, George Dyer, John Thelwall, Basil Montagu, John Tweddell, Felix Vaughan, James Losh, Joseph Fawcett. Roe’s research has been strenuous, his attention to detail earnest, and his book will be useful. But it will not be quite as useful as ...”

“... From within a few weeks of its opening in May 1956, it’s been accepted that John Osborne’s Look Back in Anger ushered in a theatrical revolution. Launching both the Angry Young Man and kitchen-sink drama, the play is held to have had a devastating and irreversible impact on a postwar theatre scene dominated by winsome drawing-room comedies and witless country-house whodunnits ...”

“... John Updike’s unfailing geniality and fluent industry appear to get on a fair number of nerves, of which he’s slyly aware. (Is there anything he isn’t slyly aware of? That foxy grin conceals volumes.) When Updike was but a sprig, apprenticing at the New Yorker and carving out a little piece of Pennsylvania as his literary duchy, his gleaming facility was found suspect by some detractors, its satin finish the imposture of a fair-haired boy out to impress his elders with the fine flick of his exquisite perceptions and deflective modesty ...”

“... it adversity, that such beauty does exist.’ Baraka made the observation in his liner notes to John Coltrane’s album Live at Birdland, which includes ‘Alabama’, an elegy for the four girls murdered in the 1963 Birmingham Church bombing.I thought of Baraka’s words at New York’s Riverside Church last Saturday, at the funeral of the alto saxophonist ...”

“... By 1963​ , John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you how he had managed to transform the piano into a one-man percussion ensemble by wedging nails, bolts and erasers between its strings; or how he had – ‘and you’re never gonna believe this’ – somehow composed silent music ...”

“... John Wieners​ once told his nephew he had met the Virgin Mary. ‘Did she say anything to you?’ Walter asked. ‘No,’ John said, ‘she doesn’t know how to speak.’ He paused. ‘But she’s learning.’ Wieners was born to a working-class family outside Boston in 1934, educated by Jesuits, and spent formative periods of his youth in New York, San Francisco and Black Mountain, North Carolina ...”

“... resurrected for some time to come. Coincident with the end of socialism in any meaningful sense, John Gray tells us that ‘a liberal political philosophy is an impossibility,’ and Ted Honderich announces that Conservatism is a nullity. If both of them are right and can be taken at face value, there does not seem to be much left. Dr Gray’s original ...”

“... so powerful an influence on who you are. The ‘dispossessed/ and half-tamed Englishman’ of ‘John Maydew or The Allotment’ returns from war to find that he must choose between ‘an England, profitlessly green’ and a landscape where           slag in lavafolds rolls beneath him. The first part of the poem seems to be spoken to the man in ...”

“... Dollar bills, pound notes, they’re suicide notes. Money is a suicide note.’ So says John Self, the hero of Money: A Suicide Note, and what he means is that money is destroying him. Self-destruction (along with several of its hyphenated pals: indulgence, interest, loathing) has become Self’s hobby, what he does in his spare time, and what he spends his money on ...”

“... with an unimpaired confidence in the traditional weapons and ammunition. The Collected Writings of John Maynard Keynes, produced under the auspices of the Royal Economic Society, is among the glories of modern publishing. Printed at the Cambridge University Press, these handsome volumes maintain aesthetic standards in book production which are in themselves a ...”

“... Medieval political theorists devoted anguished thought to these questions. In the 12th century, John of Salisbury urged tyrannicide as a political duty. ‘Whoever does not prosecute’ a tyrant, he wrote in his Policraticus, ‘transgresses against himself and against the whole body’ of the republic. In 1407 his theory was put to the test when ...”

“... forty years, as a fiction editor on the New Yorker, he advised and goaded Nabokov, Eudora Welty, John Cheever and John Updike. Now, at nearly ninety, Maxwell’s face has a prairie gauntness, as if hollowed out by exposure to those bracing talents. But in Britain his name is almost unknown. He was born in 1908 in ...”